... Willy is confronted with the tape recorder in Howard's office. The tape recorder signifies the change in Willy's life throug h the advancement of technology. It also represents the end of Willy's career. This is brought about when Howard, Willy's boss and godson, shows the tape recorder to Willy and appe ars to be more interested in the sound and technology of the machine instead of Willy, who i s fighting for his job. Howard no longer need s Willy's services and without concern fires him. This, to Willy, was like, "eating the orange and throwing away the peel". However, Willy is partly to blame, as he does not accept change and wants to remain in the pas t. This i ...

... Escalante endures hardships and insults to try and save the students and the school. Finally, he finds a handhold and clings to it as if his life depended upon it. In the end, Angel, as well as the other students, makes a huge stride by studying and passing the AP Calculus exam. In yet another interpretation of this seemingly meaningless statement, Mr. Escalante could be referring to the hole caused by discrimination. Jaime knows that because of their ethnic origin, they will have a constant struggle to overcome the hurdles life has already set for them. ETS questioning of the results of the first AP exam is just one of the many obstacles his students will enco ...

... a sly man himself, he suspects that Hamlet is up to something. Having obtained the throne through deceit and murder, he believes Hamlet capable of the same. While King Claudius is evil, he is not a fool and he would never have sent for Rosencrantz and Guildenstern if they were such close friends of Hamlet. First of all, The very fact that they undertake this task for the king is proof enough of their lack of love and loyalty toward Hamlet. Despite their actions, Prince Hamlet gives them the opportunity to show their loyalty by admitting what they were sent for and why. By showing so much reluctance, they show themselves to be allied with the king. Hamlet asks th ...

... Brutus also loves Caesar but fears his power. In the early acts of the play, Brutus says to Cassius, "What means this shouting? I do fear the people do choose Caesar for their king…yet I love him well."(act 1, scene 2, ll.85-89), as he is speaking to Cassius. Brutus loves Caesar, but would not allow him to "climber-upward…He then unto the ladder turns his back…"(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar's death. "Our hearts you see not; they are pitiful; and pity to the general wrong ...

... well. Then she was also pressured by her mother and an interested suitor to get on with her life. She had a big job to do to overcome her feelings and work to get a new life. Her husband name was Bill. Sorry I did not get the name of the actor. He did do a good job of portraying a very selfish person. He had an affair with her best friend on their living room floor! He was no knight in shining armor. He was more like a Don Juan with only his self in mind. He was mostly out of the picture which showed what kind of person he was. He never even came to see his own daughter until the little girl’s grandmother died. He only came then to ask Birdie for a di ...

... he comes very close to convincing Gertrude that Claudius killed his father. Hamlet accidentally kills Polonius and finally, the ghost of his father visits him. Though at this point these situations create plenty of reasons for Hamlet to be insane, he remains sharp and credible. “[Hamlet] concocts this state of madness...his intellect remains clear, his discourse sound and comprehensive,” (Harris, p. 129). Hamlet reveals to his friends and his mother of his plans to pretend act insane. He tells Horatio that he is going to "feign madness," and that if Horatio notices any strange behavior from Hamlet, it is because he is putting on an act. (I, v). Hamlet also te ...

... see the truth. Oedipus delivers a proclamation to pursue the truth. Tiresias, the blind prophet, comes to convict Oedipus: “I charge you to obey the decree that you yourself have made. You are the differ of this land.” He tells of the plague not leaving until the murderer is found. Tiresias, being a great prophet, knows all but will not tell: “I will speak no further. Rage if you have a mind to.” Only after Oedipus persists does the prophet say Oedipus is the murderer: “I say that you are the murderer that you seek.” Tiresias further states that Oedipus is married to his mother: “You are living with your next of kin in unimagined shame.” Oedipus, unwilling ...

... seek out her individuality. David Thomas describes the initial image of Nora as that of a doll wife who revels in the thought of luxuries that can now be afforded, who is become with flirtation, and engages in childlike acts of disobedience (259). This inferior role from which Nora progressed is extremely important. Ibsen in his "A Doll's House" depicts the role of women as subordinate in order to emphasize the need to reform their role in society. Definite characteristics of the women's subordinate role in a relationship are emphasized through Nora's contradicting actions. Her infatuation with luxuries such as expensive Christmas gifts contradicts her resource ...

... of this dream... Merlin, a man, or just stories to amuse everyone , myths, legends, or tall tails such as Santa Clause or the Easter bunny. Like the real King Arthur who was (really a 6th century ruler) transported through time to better fit the needs of the populas. The "transporting" begins in and around the 15th century. A man by the name of Thomas Malory felt the extreme need to give France, his country, a hero(s) in a time of great disappear. He felt it necessary to do this because the feudalist time in which he was living in, was slowly dying. He thought that if he could show people how many great hero(s) came out of this time period it would revive a ...

... to gain complete control of Rome instead of sticking with the triumvirate that had currently ruled. He was ambitious, or so it was said, and he wanted only power. This alone shows that his motives were not as pure as was first thought. The next person to be looked upon in Mark Antony, apparently Julius Caesar's right-hand man. He plays the part of the hero as he takes Caesar's side after death and rallies the people against the conspirators. As he speaks to Octavius, though, he shows that he is mainly after the power also in saying that the third person of their new triumvirate, Lepidus, is not a worthy adversary and is only good enough to carry messages. Anto ...