... explains what went on, while leaving herself out as the main practitioner. She says she was sort of led into it all by the other girls. Anyway, now the stage is set for a variety of unexpected accusations, scandals and tribulations. Abigail's performance stood out to me, as I enjoyed how she could change from that little sweet. innocent girl, to a fierce, roaring woman. Her costume fitted the time period, and was quite appropriate for the scenes, when coupled with her movement, and manner. It was very noticeable the way she could change the attributes of her character, as I mentioned before (a girl to a tiger), just by the subtle change of various bodily acti ...

... religious background that haunted his entire life (Stallman 5). His father, a well-respected reverend in New Jersey, advocated Bible reading and preached "the right way." Similarly, his mother, who "lived in and for religion," was influential in Methodist church affairs as a speaker and a journalist in her crusade against the vices of her sinful times (Stallman 5). This emotional frenzy of revival Methodism had a strong impact on young Stephen. Nonetheless, he -- falling short of his parents’ expectations on moral principles and spiritual outlook -- chose to reject and defy all those abstract religious notions and sought to probe instead into life’s rea ...

... is a "taint of death, and a flavor of mortality in lies." Lying makes him feel "miserable and sick, like biting something rotten would do." Since he feels this way, he would only tell a lie in extraordinary circumstances. The first lie was told by Marlow in extraordinary circumstances. It was told because he had a notion it would somehow be of help to Mr. Kurtz. The lie was to allow the brick maker to think he had more influence in the company than he actually had. This lie would help Kurtz in two ways. Firstly it would help Marlow to get the rivets he needed to fix the boat, and that would provide Kurtz with a means of communication, o ...

... subject." First published anonymously in Lintot's Miscellany in May 1712, Alexander Pope's "The Rape of the Lock"is a mock-epic which depicts vanity, pride, and the never ending battle between the sexes. Pope engages the classic formulas of an epic to depict a tale of a great injustice, the unforgivable theft of a single lock of hair. "The Rape of the Lock" burlesques elements of the epic in a variety of manners. The first elements encountered by the reader are the dream and the presence of supernatural beings. " . . . but Zeus could not sleep. For he was pondering how he could destroy crowds of men on the battlefield and cover Achilles with glory," Homer writes, ...

... the first U.S. bombing in Europe.” Gene simply replied to the shirt by calling Finny “nuts,” but deep down inside Gene was jealous of Finny’s boldness. Another incident of Finny’s openness, or boldness is when he wore the school tie as a belt. Gene was anxiously waiting for Finny to get yelled at, but because of his openness he was able to talk his way out of getting into trouble. Finny claimed that he wore the tie as a belt because it represented “Devon in the War.” Again, Gene was envious of Finny’s openness to make up a story and “get away with everything.” Another one of Gene’s enemies is his anger. Alone, his anger is mild, but when mixed with his j ...

... man's mortality. Poe has extensive Biblical knowledge, which he frequently uses in this work. From this point one can recognize the Biblical significance of the number seven, particularly in the Book of Revelations, in which we see seven candlesticks, seals, angels, plagues, and stars among others. The tone of Revelations enforces the strength and uncontrollable certainty of mortality at the end of the tale, as well as implying the presence of a divine power of judgment without explicitly stating it. The interpretation of the seven rooms contributes to Poe's allegory of man's absolute mortality, and also offers a prime example of the ambiguity one finds in Poe's wor ...

... his needs socially. He needed another person to talk to, or just be with. It didn’t even matter whom, just a person. Lennie just happened to have been there for Crooks at that moment. Everyday people do not give enough consideration to those who live their lives without someone. Humans are social beings that need some kind of connection with others to function properly. Without a social bond a depressed state can overwhelmingly "down" a person. People also need the opportunity to brag to others a little. Curly’s wife in the same novel states the following, "Well I ain’t told this to nobody before. Maybe I ought’n to. I don’t like Curly. He ...

... a step near him, and then my knees bounced and I jounced the limb. Finny, his balance gone, swung his head to look at me for an instant with extreme interest, and then he tumbled sideways, broke through the little branches below and hit the bank with a sickening, unnatural thud." The reader does not know whether it was accidental or intentional. It is not until later that Finny realizes that Gene is responsible for his crippling, and what a natural thing it was to do. Gene bounced the branch just to see if he could make the invincible Finny fall; at least, this is why Gene claims he did it. This is true, but at some level, Gene was scared of Finny, of his confid ...

... he also uses male characters as vile transmitters of evil, therefore he is not a misogynist and targets both sexes equally. In Young Goodman Brown, Faith, the wife of Young Goodman Brown is a character who loses her faith and submits to the Devil. Hawthorne, in this case directly uses faith as the carrier of a flaw. That is, she does not contain enough self-control, or faith to refuse the calling of the Devil. Even with the emotional plea from her husband, “Look up to heaven, and resist the wicked one,” (1590) Faith cannot resist the Devil's temptation and has “uncertain sorrow,” (1587) after submitting to him. The character of Faith which Hawthorne portrays ...

... heroes must always obey the Guest/Host relationship rule-- which all guests must treat the hosts with courtesy, and the host must treat the guests properly-- laid down by the gods and goddesses. Those who did not obey the rule would be punished severely. Odysseus throughout the epic, demonstrated that he obeyed the Guest/Host relationship rule. Odysseus always following the Guest/Host relationship rule, a characteristic that all heroes must have according to the Greeks' tradition . All heroes must followed the rule because if they did not, they would be punished by the immortals, and would not be recognized as heroes. When Odysseus reach the land of the Cyc ...