|
|
|
|
Death Be Not Proud
... pain he suffered during the whole course of his illness-a small mercy, perhaps, but one to be devoutly grateful for"(p24) Johnny was faced with unimaginable pain throughout his illness; yet he maintained a level of hope and determination to live. At the young age that Johnny was at, and to face death, it must have took a lot of courage to stay positive. Johnny kept fighting, determined to recuperate, even if he had to do things himself. "I watched him give himself a hypodermic injection of liver extract on the side above the hip, an awkward place to reach. I could not possibly have done on anybody, let alone myself." (p77) Johnny, had to take hypodermic injec ...
|
Godlike Odysseus
... or mortal, but a mortal little kid.
The next time I noticed Odysseus acting like a human or mortal, was in the story of "Scylla and Charybdis" when Scylla ate some of his men. Odysseus at that time, lost what he thought, were his best men, he said that it was one of the saddest things he's seen: "As he, if then he takes a fish,/ Flings it aloft out of the sea/ All quivering, even so she swung them/ All quivering up to her high crag./ There she devoured them, one and all,/ Before her doorway, while they shrieked/ And still stretched out their hands to me/ In dying agony. that sight/ Was the saddest sight my eyes/ have ever seen, while through sore trials/ I wander ...
|
Do Not Go Gentle Into That Good Night
... age should burn and rave at close of day" As you get old there is a daily struggle against death; you should fight for your life and take it day by day. In the second stanza the poet says "Though wise men at their end know dark is right, because their words had forked no lighting they don not go gentile into that good night" I thin what the poet is trying to say is even though you’re getting older and you know the time is coming you haven’t shown a sign of death you ‘re still have life so fight against death. Then in third stanza the poet describes someone who lived a good life but doesn’t want to let go "Good men, the last wave by, crying how bright their deed ...
|
The Innocent Adventure
... or a flea, and finally a return. There are more parts, but they do not necessarily fall into the same order; examples of these are symbolic death and motifs. The Cosmogonic Cycle is an interesting way to interpret literature because it is Universal and it correlates with any time period and any situation.
The Call to Adventure is the first of the Cosmogonic Cycle. It is the actual "call to adventure" that one receives to begin the cycle. In The Adventures of Huck Finn, Huck is forced with the dilemma of whether to stay with his father and continue to be abused or to leave. Huck goes because he desires to begin his journey. In The Catcher In The Rye, Holden ment ...
|
Blindness In Oedipus The King
... into the spiritual world. This great gift allowed him to become a superior prophet, praised by the people as “god like” and as a person “in whom the truth lives.” Therefore, it was no surprise that Oedipus asked the old prophet to come before the people to enlighten them as to who or what the cause of the plague decimating their country was. What Oedipus was not expecting, however, was that the sin he could not see himself was to blame for the judgement being poured out upon the country. The sin so hidden from Oedipus’ and the peoples’ eyes was quite visible to Teiresias. What Teiresias lacked in his ability to see the world, he made up for in being able t ...
|
Outline On Edgar Allen Poe
... a deep hatred for Fortunato.
2. Fortunato plans to kills Montresor.
B. The setting of “The Cask of Amontillado” leads to feeling of Goth in the story.
1. The catacombs of Fortunato’s home lead to the place of death.
2. Death is a major component of Gothicism.
II . “The Masque of Red Death”
A. Death is the theme of this short story.
1. Everyone at the party dies.
2. The Prince planned the deaths before hand.
B. The palace shows the signs of death.
1. The rooms of the palace are laid out in this cycle of death.
a. The rooms go from east to west, just as the sunrises and sets in the sky.
b. They start out with light and color, but fade to black and darkness.
2. The ...
|
Lolita
... the movie to be a convincing love story. On the surface level it was about an obsessive man and his love for nymphets, who met , the object of his desires. There were differences between the movie and the novel, yet I felt some scenes were left out of the movie that did not hurt the story at all. Also, some scenes were added which actually strengthened the story line in the movie.
I bet professional critics say the new version of did not measure up, well I loved it. Dominique Swain was awesome (a little hottie as well) and she perfectly played the character of . She may have even been more manipulative in the film version. An example of this was when ...
|
Oedipus The King
... for the True Self. Using Oedipus as an ideal model, Aristotle says that a tragic hero must be an important or influential man who makes an error in judgment, and who must then suffer the consequences of his actions. Those actions are seen when Oedipus forces Teiresias to reveal his destiny and his father's name. When Teiresias tries to warn him by saying "This day will give you parents and destroy you" (Sophocles line 428), Oedipus still does not care and proceeds with his questioning. The tragic hero must learn a lesson from his errors in judgment and become an example to the audience of what happens when great men fall from their lofty social or political posit ...
|
White Silence, White Solidarit
... of color. Second, many whites define culture in a way that draws impermeable boundaries around groups, and that views culture as consisting of flat and unchanging holdovers from the past. Moreover, equating ethnicity with race is a related strategy for evading racism, which actually highlights cultural heritage and denies whiteness as a phenomenon worth scrutiny. Furthermore, they evade white racism by constructing sentence that allows them to talk while removing themselves about racism. The final strategy is to avoid use of a subject together by employing passive sentence construction. However, the more subtle one is the process called "white racial bonding", ...
|
The Catcher In The Rye 4
... why this is a philosophical novel. Not only does this novel let the reader know what the author is thinking, but it also gives one a perceptive study of one individual’s understanding of his human condition. It’s told in a monologist manner so it can describe Holden’s thoughts and feelings.
Holden Caulfield is a teenager growing up in 1950s New York. He has suffered through several school expulsions due to his poor achievement. In an attempt to deal with being expelled from private school he leaves school a few days prior to the end of the term, and goes to New York to ‘take a vacation’ before he returns to his parents inevi ...
|
Browse:
« prev
153
154
155
156
157
more »
|
|
|