... is a southern belle who is heavily dependent on her family for all sorts of different needs. Maria is able to accept reality more than Oscie, is more mature and can handle being beaten in an argument, but Oscie can not accept losing and is always trying to best people around her and herself. An example of this is how Oscie is always arguing with Will. She even asked her tutor, “will you teach me to best Will McLean?” Although Maria and Oscie are very different they do have a few things in common. They both have an odd attraction to military men. This is shown in their choice of guys. They also both share the same parents. Sarah who is dead now, ...

... exaggerated. Voltaire offers sad events that are disguised with jokes and witticism, and the story itself presents a distinctive outlook on life. The story deals with irrational ideas as taught to Candide about being optimistic, versus reality as seen by the rest of the world. The overwhelming theme that is presented throughout the story is optimism. Out of every unfortunate situation in the story, Candide, the main character, is advised by his philosopher-teacher that everything in the world happens for the best, because "Private misfortunes contribute to the general good, so that the more private misfortunes there are, the more we find that al ...

... During the chapter, Nick uses a flashback to tell about Gatsby's funeral for the readers to know what happen the day Gatsby was shot. Flashback in The Great Gatsby also helps to give the reader background information about the characters. In The Great Gatsby, the structure of the novel is influenced by foreshadowing and flashback. Fitzgerald utilizes foreshadowing to the best of its ability to help organize the novel. "Luckily the clock took this moment to tilt dangerously at the pressure of his head, whereupon he turned and caught it with trembling fingers and set it back in place. 'I'm sorry about the clock,' he said. 'It's an old clock,' I told him idiotically." ...

... captures Gorsh's character movement and subsequent enlightenment. There are four main elements that appeal to readers of Kenji's tales: humour - that he can converse with mice at all lightens the mood of an otherwise somber tale; rhythm that of his music and with it the realization of the healing and soothing properties of music upon the soul; fantasy- as a real event of the mind. Kenji writes of fantastical wonderful things with a nonchalance that makes it almost believable especially through the eyes of a child; and best of all: open-mindedness- to believing in the best of all things in strangers and other creatures. Every child, and thus, the child in us, ...

... on one's prediction of insanity and madness. That is why when Pat Barker wrote the novel, , it was such a great breakthrough. She leaves the decision up to the reader to decide what and who is mad in the novel. In the novel, , Pat Barker leaves the lingering decision of who is really mad in society up to the reader because bias views have long been inflicted into people's heads by society's morals. In the novel the so-called "insane" patients are sent to an institute called Craiglockhart. It is one of the top schools in the country, at that time, for curing insanity. Officer Prior is inevitably an outcast in society because he is dubbed insane. Prior suffere ...

... denied God’s presence. Cain’s lineage has been known to spawn monsters, trolls, giants, and other undesirable beings, all of which were rejected from society. Beowulf and Grendel both speak of Grendel’s ancestor Cain, almost as if using it as an excuse for his rash and murderous actions. Beowulf told of a Grendel that mercilessly attacked Hrothgar’s meadhall killing men without reason. Grendel also speaks of this evil monster, but in a more sympathetic and excusable manner. Grendel is thought of as “the guardian of sins” and is the physical equivalent to a man that has been shunned by God. He is described as a hideous bear ...

... day, a messenger says that Godot will come tomorrow for certain.) This message is very appropriate when considering the play's existentialist aspects. Interestingly, Vladimir and Estragon deny that they know Godot when Pozzo asks them. Keeping with the religious theme, this is parallel to Peter's denial of Jesus. Another interpretation is that Pozzo is God, and Lucky is mankind. Perhaps Pozzo is really Godot, as he was mistaken for Godot, or maybe Pozzo is just there as a deception. Lucky wants to satisfy Pozzo with menial acts of obedience (according to Pozzo's own explanation of Lucky's actions), while Pozzo seems quite apathetic to Lucky's deeds and plig ...

... hope can be found. The second and third stanzas reiterate the same thing as the first four lines but in a more vivid way using color images and images off a frosty morning that brings a chill to the readers spine. "Peril of Hope," has a definite from. It is set up in a quatrain form with three stanzas. The poem has a rhyme scheme ABAB, with the last word of every other line rhyming, such as, lines one and three , there and bare, and also lines two and four, between and green. Lines one, two, and four in every stanza all have five syllables, and line three only has four. The poems lines have a stressed syllable followed by a unstressed syllable. The nam ...

... continues to fondle her, but rather than call attention to him she would rather save face for him. She hates the situation but she wants to believe he's a good person so she begins to make excuses for him: "maybe he didn't do it on purpose" or "maybe his right hand didn't know what his left hand was up to". All the while trusting , and having her trust broken. The second phase the main character went through was the attempt to flee. When she finally tried wiggling out of his reach it just gives him a better angle to touch her. As she moved away, he was right there. She was like a fox hunted by wild dogs. No matter where she went, she was trapped. Th ...

... point,…” (292). Fear from being teased empowers her to pick on Celia with the rest of the kids. Part of Elizabeth’s frustration comes from the fact that Celia represents much of what Elizabeth doesn't like about herself. She would be happy if Celia reminded her of some better-looking person. But that’s not the case. Her conscious reminds her of similarities between two of them. “I was kind of chunky and wore glasses too, …” (292). She struggles with her fear of becoming the next Celia. "For I knew, deep in my wretched heart, that were it not for Celia I was next in line for humiliation" (292). Her position within the g ...