... selfish reasons. Jim Casy is an allusion to Jesus Christ. They have the same initials and live their lives as examples of their beliefs; Jesus to the world and Casy to Tom. Casy even compares himself to Christ when he says, "I got tired like Him, an’ I got mixed up like Him, an’ I went into the wilderness like Him, without no campin’ stuff" (105). In the first half of the book Casy is thinking and forming his ideas. He changes from a thinker to a man of action when he sacrifices himself for Tom. When in prison Casy sees the advantage of organizing people to achieve a common goal. When Casy tried to put his ideas into action he, like Christ, aroused the ...

... to George, but mentally is a weak as George is physically. Together, as they travel from place to place looking for their chance at making their dream a reality, they use each other’s strong points to help them complete the task. Without one another the two characters would have absolutely no chance at success, for what one is lacking the other has an ample amount of. George and Lennie are the perfect example of how opposites attract. The two of them have spent the majority of their adult lives together and know each other better than they know anybody else in the entire world. They share their hard times and the good, their victories and their defeats, but most ...

... war. “Everyone Sang” is a two stanza, five-line poem that says so much about the imprisonment of war. The poem was written right after Sassoon’s release from the British army. He is so overjoyed to be released that he compares it too, “…prisoned birds must find in freedom Winging wildly across the white Orchards…” Like many other poets, he is terrified by war and was “filled with such delight” to be out. Sassoon witnessed the brutality on war, which hardened him to the idea of patriotism. “Everyone Sang” is a rejoice of freedom until the final two lines. “…O, but everyone Was a bir ...

... let's say, in which characters find redemption. Cody, Colorado cattle rancher turned oilman, appears at first to be a remote and judgmental dad, but as we observe the gentle, persistent concern he shows for his wayward son Scott, we discover nothing less than the ideal dad. Scott's testing of his father's love goes way beyond normal bounds: his alcoholism and general irresponsibility actually cause the deaths of several other characters. Scott's peregrinations take from his home in Colorado to the slums and bohemian underworld of a Mexican town. There, confronts a seamy and labyrinthine corruption that tries to separate him from the love of his son. , the Fathe ...

... the problems they face being homeless and what are the main things that contribute to their homelessness. In the discussions with the veterans, three types of problems were revealed: health and mental health, resource related, and public perception problems. The article states that homelessness in America has been well documented since the mid-1980. It really surprises me that it took to the 1980’s until homelessness was documented, or at least “well” documented. I believe homelessness has been a problem for hundreds of years. The article also states that between 567,000 and 600,000 individuals are homeless and on any given day 200,000 of them are veter ...

... belonging to either one of them. This struggle between Sinclair’s two worlds is evident when Sinclair is about 10 years old. While playing one day with some fellow schoolmates, Franz Kromer, an older kid, joins them. In an effort to impress the older boy and his schoolmates, Sinclair makes up a story in which he and another unnamed accomplice stole a bag of apples from a fellow neighbor. Although the story is untrue, Kromer threatens Sinclair with exposure if Sinclair does not pay him off. Unable to pay the full amount, Sinclair is forced to become Kromer’s slave, ultimately sending Sinclair into depression and paranoia. Sinclair feels trapped by Kromer, forced ...

... the murder of Laius, to "grudge us nothing now" ("Oedipus the King" 1. 352), Tiresias replies, "Just send me home. You bear your burdens, I'll bear mine. It's better that way, please believe me" ("Oedipus the King" 1. 364-366). The knowledge Tiresias is reluctant to reveal of Laius's murder has the potential to end the plague that has taken over the city of Thebes; however, Tiresias's refusal sends a message to the reader that it is better for Thebes to suffer than for the truth to surface. This leads Oedipus to believe that Tiresias is "bent on betraying us, destroying Thebes" ("Oedipus the King" 1. 377), ironically, this claim has an element of truth to it. ...

... his plan to become king. Richard plainly states that he is "Deformed, Unfinished, and sent before his time" and "since he cannot prove to be a lover; he is determined to prove a villain." As a villain Richard must be heartless, he cannot let his emotions interfere with his actions. He must also be intelligent and organized; a villain must know exactly what he has to do, when he has to do it and how he is going to do it. A villain must also be manipulative and persuasive so that if he is accused of a crime or if he finds himself between a rock and a hard place he is able to talk his way out or convince people that he did not commit the crimes in question. A villa ...

... in both aspects. The action of pouring wine into the bowl signifies the ejaculation of sperm into the womb and contrasts with the sterility of the oath. Their oath promises them to not enjoy intercourse. The burning torches brought by the men’s chorus are an ironic symbol of the passions raging in men's loins. Their attempt to batter through the gate is nothing else than a sexual penetration, and foreshadows the attempts of Cinesias later in the play. Within , the pouring of water on the men to douse their sexual urges parallels the dampening of their husbands' passions to which the women have sworn. The Magistrate's allusions refer to the lustful invitatio ...

... seriously. This irony is clearly demonstrated at the end of the story; Swift makes it clear that this proposal would not affect him since his children were grown and his wife unable to have any more children. It would be rather absurd to think that a rational man would want to both propose this and partake in the eating of another human being. Therefore, before you can continue to analyze, one has to make the assumption that this is strictly a fictional work and Swift had no intention of pursuing his proposal any further. One of the other voices that is present throughout the entire story is that of sarcasm. In order to understand this further, a reader has to c ...