... are bizarre and trivial, and ignored by her family, such as the possible attack by The Misfit, a trip to Tennessee instead of Florida, and a fear of feline asphyxiation. John Wesley and June Star have little if any respect for their paternal grandmother. "She has to go everywhere we go," whines June Star (194). The grandmother also dresses immaculately, even for a car trip, simply because in an accident "anyone seeing her dead on the highway would know at once that she was a lady" (194). She calls attention to pointless details such as mileage, the speed of the car, and scenic road-side attractions. Also typical, the grandmother holds a deep appreciatio ...

... (pg. 162) Trying to scare Frankenstein for not creating his mate the monster resorted to threats. If the good doctor does create a companion for his first creation he may be endangering others. "The miserable monster whom I had created," (pg.152) says Victor upon looking back at his work. If there is another monster there will be twice the power and possibly twice the evil, which could hurt or kill his family. When and if Frankenstein commits the moral sin of creating another monster he may be rid of both monsters forever. "With the companion you bestow I will quit the neighbourhood of man,"(pg 142) promises the morally ...

... puts Dr. Faustus in a situation where he makes his own rules. The problem that this play confronts is this: If you believe in an all-powerful, all-knowing God, how can you accept the existence of evil in the world, which this God has created? Does this mean that God is responsible for Faustus' damnation? God does not appear in Dr. Faustus. Instead, Marlowe clearly sets out the steps - following the theology of his age by which Faustus' fate is determined by his own actions and words. Henceforth Dr. Faustus' life was filled with comfort and luxury, but marked by excess and perversion. Everything was within his grasp: elegant clothing, fine wines, sumptuous food, ...

... in script writing and story structure. It deals with the basic elements of a typical screenplay, and explains what it actually is that an audience craves. Many of the principles can and should be applied to any story whether a screenplay, theatric play, novel or short story. The play is much more predictable in the sense that a great many things are bound not to happen on stage. In fact nothing taking place outside Frank's office can be seen by the audience. All action is inevitably confined within these four walls. When Frank invites Rita to his home for dinner in the play the audience are not set up for suspension as to how it will turn out since they already kno ...

... first person he meets is the one of the oldest Deacons of his congregation. He is tempted to say evil things about the Communion Supper, one of the most scared of Puritan churches. Dimmesdale continues onward and meets the eldest female member of his church. He again is tempted to tell her an unanswerable argument against the immortality of the human soul. The next person he meets is the youngest female member of his parish. He has to restrain himself from whispering wick and evil things that might mislead her. Next, he meets a group of young Puritan children. He must stop himself from teaching them "evil words." He walks onward and meets a "drunken seamen" from ...

... 70) In The Butter Battle Book, Seuss takes nuclear war as his theme. Two groups of animals live on either side of a stone wall. One side eats their bread butter side up, while the other side eats their bread butter side down. Because of each group’s odd ways, neither side trusts the other. Each side sets up a border patrol with mild protection. Over the course of the book, the weapons get more complicated and powerful until each side invents "the bitsy big-boy boomeroo," a very powerful bomb. Each side is ready to destroy the other when the books ends. These groups could represent the nuclear opponents of the time, mainly the United States and Rus ...

... his mate the monster resorted to threats. If the good doctor does create a companion for his first creation he may be endangering others. "The miserable monster whom I had created," (pg.152) says Victor upon looking back at his work. If there is another monster there will be twice the power and possibly twice the evil, which could hurt or kill his family. When and if Frankenstein commits the moral sin of creating another monster he may be rid of both monsters forever. "With the companion you bestow I will quit the neighbourhood of man,"(pg 142) promises the morally corrupt monster to the doctor upon the completion of his partner. When the doctor, if and when he, ...

... loves his mother, yet eventually hurts her by rejecting her Catholic faith. Taught to revere his father, he can't help but see that Simon Dedalus is a drunken failure. Unhappy as a perpetual outsider, he lacks the warmth to engage in true friendship. "Have you never loved anyone?" his fellow student, Cranly, asks him. "I tried to love God," Stephen replies. "It seems now I failed." The force that eventually unites these contradictory Stephens is his overwhelming desire to become an artist, to create. At the novel's opening we see him as an infant artist who sings "his song." Eventually we'll see him expand that song into poetry and theories of art. At th ...

... in England's "Glorious Revolution." The seventeenth and eighteenth centuries saw the development of "absolute" monarchies and a more tightly-centralized national government. Many historians regard the growth of the "absolute monarchy" as the origin of the modern state. Because this growth in absolute and centralized power of the government and the monarchy, this age is called the "Age of Absolutism" (1660-1789), beginning with Louis XIV and ending with the French Revolution. Crises and tragedies primarily motivated absolutism of the sixteenth and seventeenth centuries. Absolute monarchies were originally proposed as a solution to the bloody civil and religio ...

... evolving style. Featuring Left Bank Paris in the 1920's and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes (Wilson 4). Ernest Miller Hemingway is an American author who has penned several novels and short stories; one of his works is The Sun Also Rises. Hemingway was born on July 21, 1899 in Oak Park, Illinois. Hemingway was raised with the conservative Midwestern values of strong religion, hard work, physical fitness and self-determination; if one adhered to these parameters, he was taught, he would be ensured of success in whatever field he chose (Wilson 1). As a boy, ...