... his footstool at Odysseus, hitting him in the back. This makes even the other suitors nervous, for sometimes the Gods masquerade as mortals to test their righteousness. The suitors fright showed they respected the Gods because they were afraid of the punishment they would receive for not being hospitable. This leads to the next value of the Greeks. Hospitality is very important such that you serve a stranger before you know his name. An example of this was when Eumaeus the swineherd welcomes Odysseus disguised as the bedraggled stranger. He throws his own bedcover over a pile of boughs as a seat for Odysseus, who does not reveal his identity. Observing Zeus's ...

... with her husband. The intensity of this conflict is extremely apparent as she uses examples that cannot be ignored. The atrocities of NAZI' Germany are used as symbols of the horror of male domination. The constant and crippling manipulation of the male, as he introduces oppression and hopelessness into the lives of his women, is equated with the twentieth century's worst period. Words such as Luftwaffe, panzerman, and Meinkampf look are used to descibe her father and husband as well as all male domination. The frequent use of the word black throughout the poem conveys a feeling of gloom and suffocation. Like many women in society, we know that Plath felt op ...

... grasps reality and experience. He discovers that his experiences are a test of his powers of self-control as he gains a tolerance for others through his deep infatuations with the exploiter in Kurtz. In the mental changes, search for reality and battle with the wilderness Marlow believes that it is a journey to “find yourself in what no other man can know”. In his experiences, particularly at the Inner station,”the farthest point” and “ culminating point” of his existance, Marlow reaches maturity and returns with a knowledge than is greater than his years. Influencing the remaining years of Marlows life, his search for Kurtz has ...

... Snowy Evening we find the speaker reflecting on the beauty of a wooded area with snow falling. Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. (p.923) You can feel the speakers awe and reflective peace when looking into the woods that night. He doesn’t know the owner of the land but is still drawn to the beauty of the scene. Frost gives a scene that is taken into the reader and digested for a time in the speaker’s mind. It shows us that it is all right to take a minute out of a hurried hour and reflect upon what is around you, whether it is a snowy wood or a qui ...

... aerobics classes, a new brain for Arnie (his disabled brother) and for Ellen to grow up". Becky admires this, but she prompts him, "What do you want for you." This shows the true kindness of Gilbert, he wants so much, and cares so much for other people, he forgets about himself. Gilbert's 'wants' started from wanting for his family, then his mother, Arnie, Ellen and we get the impression the list would have continued 'wanting' for other people, had Becky not interrupted. Gilbert's good nature is apparent from the very start when he and Arnie are waiting for the caravans to pass through Endora. We can hear Gilbert describe the scene as a 'yearly ritual' in a ...

... change results in a lot more dialogue and interaction between the narrator and the people in the town. This is different from the detachment the narrator has which is prevalent in the novel. The movie adequately captures the bleak and dreary mood in the novel. The camera shows the Frome household in the middle of nowhere, with no houses nearby, in the middle of winter. This, with the addition of appropriate music, creates a bleak atmosphere, and there is no doubt in the audience’s mind of an impending sense of gloom and tragedy. The darkness of the house amongst the pure white of the snow is a symbol of the darkness within the house. It shows that the people l ...

... to conspire against him. Because Iago is much too smart to immediately kill , he proceeds with the arduous process of dismantling him emotionally. Iago also knows that he must distance himself from any of the harrowing occurrences that transpire, so he cleverly gets other people to do his dirty work. The first to fall victim to Iago's illiberal manipulation, is the half-witted Roderigo. Iago knows Roderigo is consumed by lust for Desdemona, and would do anything to make her his own. Iago tells Roderigo that the only way to win Desdemona's love, is to make money to procure gifts for her. "...put money in thy purse.." (Act 1, Scene 3, Line 339). However, Iago i ...

... she manages to pronounce before she throws some papers on my desk. "Do you remember, when we were investigating Mrs Alpher’s apartment ?". "Yes, what is it ?" I say, trying to find out what’s on her mind. "You see, until now we haven’t found anyone that possibly could have gone into Mrs Alpher’s apartment, without anyone noticing him or her". "You’ve got a point there", I responded, what was on her mind ? That blue dress certainly showed her fine curves, actually I coundn’t get her of my mind most of the time. "Well, her apartment lies on the corner of Main Street and Baker Street, there’re three windows, one on B ...

... tragic hero must not deserve what mighty punishment is dealt to him. Another key feature of a tragic hero is the fact that a tragic hero must be a high-standing individual in society. The tragic hero must not deserve his punishment for the play to be a tragedy. Also, a tragedy happening to someone in high authority, will affect not only the single person but also society as a whole. Another reason for the tragic hero to be in high authority is to display that if a tragedy may happen to someone such as a king, it may just as easily happen to any other person. Julius Caesar fits the role of a tragic hero. Julius Caesar is a high standing senator that possesses hamarti ...

... Claudia describes the home environment in which she lives in. That home environment is linked to how Pecola comes to live with them and what affect the two had on each other. Pecola’s presence slightly foreshadows her future longing for blue eyes by showing the great interest she had in Shirley Temple, who was known for being a pretty white girl. Claudia then goes into a series of stories and descriptions of what type of environment Pecola must live in at her own home. She describes the abandoned store in which the Breedlove family lives in and the terrible condition of the furniture, which reflects the type of family the Breedloves are. Whether it was ...