... felt that her personal responsibility lies to the gods and her family rather than the king. She then asked Ismene, her sister, to assist her with the burial, but was denied of any help. She was disappointed at first, but later on decided that she will do this with or without Ismene’s help. Creon was warned about this and later found the culprit. He issued the death sentence for ’s action. Creon informed his son, Haemon, of his fiancee’s deceit. Haemon, however, defended his beloved. He told his father that the whole city was on her side, but were afraid to say anything. He was instead accused of “being a woman’s accomplice”, “fighting on her side, the woman ...

... God promising that “[he] will sin no more.” (170) Furthermore, the typical six year old child will not possess the mentality to question the flaws of a religion nor question why God “forgives all” (173), even murderers. This is not the case for Tony, who is bothered by the fact that God will “forgive Narciso…” only “…if [Tony] also asks [God] to forgive Tenorio.” (173) In addition, Tony’s maturity leads him to order someone to “go get the lifeguard” (239) during the drowning of Florence. At the same time, Tony notices a “red spot on [Florence’s] forehead where he must have hit the edge of the culvert.” (240) Death, to a six year old, is a mystery while religion ...

... Charlie had dreams of how his mother was ashamed of him. His mother always thought her son was normal and would grow up and be somebody. "...He's like a baby. He can't play Monopoly or checkers or anything. I won't play with him anymore..." Charlie's sister also ignored him. To her, Charlie was dumb and could not do anything. Charlie had dreams of his sister yelling at him and making fun of him. He also had memories of the night his parents took him to the Warren Home. He was terrified and his dad would never answer his questions. Charlie remembered his childhood and through his memories, he felt guilty for hurting his family. After the operation, Charlie also suffe ...

... he's mad, 'tis true 'tis pity, And pity 'tis 'tis true" [2.2.97-98]. Hamlet never stops his act and gets his job done. During Hamlets search for revenge, he also sparks the beginning of Ophelia’s demise. This happens because to insure no one knows that Hamlet is acting as if he is crazy, he only tells his most trusted friend Horaito. Ophelia does not know he is only acting for the possible spies, and takes everything Hamlet says seriously. “Ophelia says I was the more deceived”[III.i.118]. After a while of this, including Hamlet yelling at her, the death of her father Polonious by the hands of Hamlet, Ophelia goes insane. This is very noticeable because ...

... ideas and images don't always build up to one central point, instead using smaller repetitious parallel relationships to allow the viewer to connect themes by building associational links. The silent film A Man With a Movie Camera (Dziga Vertov) is such an example of an associational documentary. This self-reflexive film using life in the Soviet Union is all about the power of filmmaking. This film becomes a celebration of the documentary filmmaker's power to control our perception of reality by means of editing and special effects (Bordwell 416). Using various images that may not be normally grouped together Vertov hoped to show how everyday actions could be ap ...

... and 1940's, a woman was considered a disgrace to the town and, more importantly, her family if she was pregnant and not married. To some women the Ideal Maternity Home was a saviour- a place where they could give birth and then have the baby put up for adoption, hassel-free. However, the price for board and the birth cost a fortune. The service fee was $300 (a years wage). Despite the price, many women turned to the Home when in need. The women who entered the home signed a contract drafted by the Youngs' lawyer, Charles Longley, stating that they would pay the $300. Mothers who had difficulty paying their bills were hounded by the Youngs and threatene ...

... Beginning in the New Testament the Bible moves from strict enforcement, punishment, and prophecy, into the glorious presentation of the Son of God. He is spoken of hundreds of times in the Old Testament through symbols and prophecies -- all pointing to the future and the coming of Someone. The Old Testament cannot be read without being aware of that constant promise running through each page. Someone is definitely coming. In opening the Gospels, that Someone comes forth in the fullness of his glory, and it is absolutely fascinating. We get a chance to see Christ as he is. Because what Christ was, is what he is, and what he will always be. We ar ...

... play he insists that his name is Karkulainen. This immediately shows that although he lives in Canada he will still go by his Finnish given name. The differences between Jaanus and Jukka are shown when Jaanus and Jukka first reunite in Canada. Jukka Karkulainen now goes by the name of Yuki Crook, and thinks nothing of it. His name means very little to him. Jukka then tells Jaanus that there are no Fins living in Canada even though Jukka himself is Finnish. Jukka is now a Canadian. His heritage meant nothing to him. Jaanus would never let that happen to himself. He was born Finnish he would die Finnish. One scene that really shows Jaanus’ idea of the importanc ...

... uses the term "white ewe" to represent Desdemona, and "black ram" when referring to Othello. By using these terms, it shows that he is trying to give a bad impression of Othello when he is speaking to the royal family in Venice, because Othello is a Moor, or a Negro. Iago shows his black hatred for the Moor and his jealousy of Cassio in his first soliloquy and also reveals his evil intentions. As the act continues and Othello is being searched for by a group of people, Iago attempts to incite Othello into anger against Brabantio, but Othello does not take the bait. He feels that he (Brabantio) may do his worst because Othello is assured that his militar ...

... is bound by a social harness. He renounces the throne to lead the rest of his life in pleasure and in doing so he disrupts the Great Chain of Being, he challenges the position that he has been given and thus his family and indeed the entire nation, descend into disorder and chaos. The storm is symbolic of this occurrence, the weather imitates the state of men. "One minded like the weather," the gentle man recognises the disquiet and unrest of the storm, as a manifestation of the turbulence in Society at the time. He is not only responsible for the harmony of a nation, as the father figure it is also his duty to maintain harmony in his house. This he does ...