... effective in helping people survive. There are many situations in the book illustrating how living for the sole purpose of acquiring food—under any condition—could turn out to be lethal. Elie wrote of one time, during an air raid, when two half-full cauldrons of soup were left unguarded in a path. Despite their hunger, the prisoners were too frightened for their lives to even touch the cauldrons. One brave man dragged himself to the cauldrons intending to drink some of the forbidden soup. Before he could so much as take a small taste of the soup, he was shot, and he fell to the ground, dead. In Night, Elie recalled him as a “Poor hero, com ...

... natives. Marlow’s aunt believes that this voyage is a mission to “wean those ignorant millions from their horrid ways.” (Conrad, 16). In reality everywhere they went they colonized the land, used the natural resources, and left ruins behind them. Marlow says, “They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind - as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have different complexion or slightly flatter noses than ourselves...” (Conrad, ...

... was the first of its kind; never before had an author dared to ask the members of the audience to perform, even though unpaid, and indeed, paying for the experience themselves. But without those lines, how much less impressive would that moment be when the Director, understandably at the end of his rope with the greedy characters (who have been from the start trying to coerce him into writing a script for non-union wages), shouts "Reality! Fantasy! Who needs this! What does this mean?" and the audience, in unison, shouts back, "It's us! We're here!" The moment immediately after that, when the whole cast laughs directly at the audience, pointing at them in ...

... and meretricious beauty," and to incarnate these ideals with reality. Like Jesus Christ came here as an incarnation of man and the divine, "the perfect word entering the imperfect world-- and yet remaining perfect" (Christensen, 154-155), Gatsby is referred to as "a son of God" because through his invention of Jay Gatsby, James Gatz tried to incarnate his ideal dream with reality. Daisy becomes the embodiment of that dream because she is the personification of his romantic ideals. For him she represents his youth and is the epitomy of beauty. Gatsby, "with the religious conviction peculiar to saints, pursues an ideal, a mystical union, not with God, but with ...

... them, look for common ground. Or compare with a movie/play/novel with similar background/plot etc. Select for discussion only those features of a book that were sufficiently outstanding to be worthy of comment. Do not summarize the entire book and never actually reveal the ending. You may discuss the kind of ending or resolution, eg. Was it startling, unexpected, disappointing etc? In your introductory paragraph include enough information about the type of book it is, the title, author, setting, and theme so that the reader will get a quick idea of the general nature of the book. Working from your outline, which should include what you want to say ...

... the play, Othello is in control. First of all, Othello has military control. Being a seasoned warrior, he is appointed by the Duke of Venice to lead the Venetian forces. This position entails a great deal of control; as general, Othello has the power to organize and order the Venetian forces at will. Secondly, Othello has control in dangerous predicaments. After discovering the harmful intentions of Brabantio, Othello shows confidence of his control in Act I, Scene 2, and relies on his credentials: "Let him do his spite. My services which I have done the signiory Shall outtongue his complaints" (1.2.18-20). When Brabantio arrives with his troops and both sides draw ...

... conform and be accepted by society. This reality gadget restricts Garson from certain thoughts and certain actions and forces him into others. Unaware of his programming, Garson represents man's naive attitudes towards the forces of the mass. With the discovery of the reality tape, Garson than understands that his life is inflexible and determined by a tape, and accepts his circumstance. This awakening dissloves the mirage of his freedom, an awareness that so many of mankind lack. The facade of Garson's freedom, was disguised by his physical apperance as a human. However we soon discover that beneath that skin and flesh hides a mass of mechanical gadgets that contr ...

... blind prophet to aide them. Excessive pride fuels his inability to believe the prophecy of Teiresias stating Oedipus is the killer, and that he has married his mother. “Until I came – I, ignorant Oedipus, came – and stopped the riddler’s mouth, guessing the truth by mother-wit, not bird-love.” Because he continually boasts about how he has saved Thebes from the Sphinx, he believes that no one could know more than he, especially if he is the one to be accused of a crime he “knows” he didn’t commit. In response Teiresias argues, “You are please to mock my blindness. Have you eyes, and do not see your own damnation? Eyes and cannot see what company you keep.” This is a ...

... his true intentions and gives word of his counter conspiracy. He feels that even though the men are honorable, that they have butchered a man that could have been reasoned with and brought out of what it was he did wrong. What Antony says: "Let each man render me his bloody hand…My credit now stands on such slippery ground that one of two bad ways you must conceit me…." Pg. 580 lines 184-194 He leads the conspirators on to trust him, when in fact, he wants to be able to speak to the mob. He uses a vicious pun so that he knows what he is talking about, but the conspirators think that he is simply talking about the blood on the ground being slippery. Caesar ...

... this ultimate expression of my own freedom to express myself, to demand from the world that it answer to my conceptions of myself, leads by a step-by-step inevitability to self-destruction. For the cosmos is a fatally mysterious place, not particularly compatible with such heroic self-assertion. And the human being who sets himself or herself up to live life only on their own terms, as the totally free expressions of their own wills, is going to come to a nasty end. However grand and imaginatively appealing the tragic stance might be, it is essentially an act of defiance against the gods (or whoever rules the cosmos) and will push the tragic hero to an act of inevit ...