... superior athletic ability, but he resents what he feels was Finny flaunting his abilities. Finny demonstrates his superior agility to Gene when he grabs Gene’s hand, lending him support when he loses his balance during one of their routine jumps from a towering tree. Gene feels that he should not feel any “rush of gratitude toward Phineas,” because he does not like feeling clumsier than Finny. Instead, he blames his presence in the tree on Phineas. Finny also has the role of being the leader in their friendship. They sustain the balance of the friendship when Phineas thinks of something to do, and Gene supports him. The problem with this is th ...

... the county, she was a most active magistrate in her own parish" is ironic, since of course no woman could be a justice of the peace or magistrate. Few occupations were open to them -- and those few that were such as being a governess, i.e. a live-in teacher for the daughters of a family, were not highly respected, and did not generally pay well or have very good working conditions. Therefore most "genteel" women could not get money except by marrying for it or inheriting it and since the eldest son generally inherits the bulk of an estate, as the heir, a woman can only really be a heiress if she has no brothers or any other living male relative. Only a rather small ...

... and when Paris kidnapped her because he wanted her to be his wife, Menelaus had to go to battle against Troy to defend his honor and retake Helen as his wife. Thus, if Helen had not possessed beauty, then Paris would not have wanted her, and the Trojan War would not have occurred. Pallas Athena also wields an influential power, through her intelligence and her supernatural power as a goddess. She directs the actions of men, such as Achilles, by making herself invisible to all others except Achilles, and then plucking his hair and warning him not to strike Agamemnon. Achilles does not strike Agamemnon, and a grand mistake is avoided. Athena also influences the ...

... to destroy you."(Crito p.48d) Plato introduces several pivotal ideas through the dialogue between Crito and Socrates. The first being that a person must decide whether the society in which he lives has a just reasoning behind its’ own standards of right and wrong. The second being that a person must have pride in the life that he leads. In establishing basic questions of these two concepts, Socrates has precluded his own circumstance and attempted to prove to his companion Crito, that the choice that he has made is just. "…I am the kind of man who listens only to the argument that on reflection seems best to me. I cannot, now that this fate has come u ...

... the play establishes the three following reasons Hamlet can not lead a country: a sheltered life, the deep love for his parents and an overpowering encountering with the supernatural. The play shows no intimation of Hamlet either waiting or longing to be king. By all accounts he appears content as Prince. Likewise, one can venture his childhood balanced and happy. Hamlet laments the skull of Yorick, "Alas, poor / Yorick! I knew him, Horatio--a fellow of infinite / jest, of most excellent fancy. He hath bore me on his back a thousand times,.." (5.1.190-193). Also, he speaks highly of his father and possesses a profound closeness to his mother. T ...

... knows you not. I’ll not be far from you: do you find some occasion to anger Cassio, either by speaking to loud, or tainting his discipline; or from what other course you please, which the time shall more favorably minister. “ (Pg. 673) Roderigo does this for Iago promises it will make him look good in front of Desdemona. Iago needs to make Cassio suffer and manipulates Roderigo to do it by playing on Roderigo’s desire for Desdemona. Iago also uses Roderigo for his money as well as helping his evil plans, “ Roderigo: I am changed: I’ll go sell all my land. Exit. Iago: Thus do I ever make my fool my purse; For I mine own ...

... at the same time. His sarcasm become humour and it is not very obvious sometimes. We have to read between the lines to catch the joke. He is very descriptive in his writing and his world comes alive with the mood through the informative and colourful description, the characteristics and the internal thinkings of the characters, the suspense and the dialogues used. I especially admire the way he brings the story to a close, not too dramatic, yet satisfactory. Some writers often leave an unfinished ending where it is up to the reader to decide, treating this as their style and adding a sense of mystery to the story. However, these are sometimes the most horrible ki ...

... the day Gatsby was shot. Flashback in The Great Gatsby also helps to give the reader background information about the characters. In The Great Gatsby, the structure of the novel is influenced by foreshadowing and flashback. Fitzgerald utilizes foreshadowing to the best of its ability to help organize the novel. "Luckily the clock took this moment to tilt dangerously at the pressure of his head, whereupon he turned and caught it with trembling fingers and set it back in place. 'I'm sorry about the clock,' he said. 'It's an old clock,' I told him idiotically." (Fitzgerald, pg. 92) This quote is the first use of foreshadowing which is in chapter five. It pertains t ...

... He stares at the picture with awe and not a little confusion- what should he feel? Stephen is possessing a self-consciousness that is so melancholy as to be called morbid. He has, like most young men, horrible doubts about himself. Women further complicate his disposition. For example, when he says goodbye to Eileen at the tram; he knows he should kiss her, but he is mortally afraid to do so. Again, like most boys his age, he thought understanding of women would happen in an instant: Weakness and timidity and inexperience would fall from him in that magic moment (65). This stems from the Irish Catholic culture that has surrounded him his whole ...

... this poem in a wood on the outskirts of Arno, near Florence, which is Dante’s hometown. The use of the terza rima poem is Shelley’s most obvious adaptation of Dante and he relies upon Dantesque ideas to write his poetry. The image of the leaves being blown by the wind "like ghosts from an enchanter fleeing"(l.3) depends on the Inferno in Paradiso for the image to have an effect on the reader. The various cycles of death and rebirth are examined with reference to the Maenads who were fabled to have destroyed Orpheus’s body and spread it around the world. This is the underlying theme to the poem with Shelley alluding to the breaking of Christ’s body on ...