... extreme devotion to religion, as well as their refusal to delve into other possibilities to explain the predicament of the time. These circumstances still exist today, and it is quite possible, as well as frightening, that a similar event could recur today. One would like to think that one would never lose control of their opinions and thought, but hysteria is a powerful force and can bring even the most intellectual of people to lose sense of what is occurring. More modern examples of hysteria such as the McCarthy trials and the ostracizing of people infected with AIDS show that learning to properly evaluate a situation for it’s reasonability and integrity prove ...

... characteristics among the characters. Achebe then compares the descriptions of the Intended and the native woman. Explaining that the savage "fulfills a structural requirement of the story: a savage counterpart to the refined European woman," and also that the biggest "difference is the one implied in the author's bestowal of human expression to the one and the withholding of it from the other."(Achebe, p.255) This lack of human expression and human characteristics is what Achebe says contributes to the overflowing amount of racism within Conrad's novella. Human expression, is one of few things that make us different from animals, along with such things as com ...

... any number of speeches given by Gabriel, but it is particularly evident when he states "He was undecided about the lines from Robert Browning for he feared that they would be above the heads of his readers."(Dead, 334). He lords his superior knowledge and social niceties above the rest of his family, treating them like some subclass of humanity better left untouched. His wife scoffs at the fact that the majority of the attenders of the party do not even grasp the concept of galoshes, a 'neccesity' of life that has not filtered down to the less fortunate. Gabriel's shame for his famile is readily apparent. He speaks down to them, refuses to learn their common langua ...

... society. This story of Louisa Ellis is an allegory for woman, and uses the levels of allegory ironically. The stories of the dog and the bird layer the theme to help represent Louisa’s life, who in turn represents the Eighteenth century woman of society. Louisa’s animals and their relationship to her suitor are further links between her and her pets. The suitor brings out different traits than the norm in both the animals and the woman of this story. The man’s influence is seen as disruptive. Man is seen as a threat to the serenity and security of a spinster’s life. Imagery put forth by this story, and by stereotypes of the day is of the new England spinster. Wo ...

... that he "had not taken steps very often in his life, come to think of it, really never. His marriage, his two jobs, his relationship with Muriel, his return to Sarah-all seemed to have simply befallen him. He couldn't think of a single major act he had managed of his own accord."(339) In thinking this, Macon is realizing that he has dedicated a great deal of time using systems and finding other ways to organize and control the minor aspects of his life, however he has never put much thought, or attempted to take much control of the major aspects of his life. This realization prompts Macon to wonder "Is it to late now to begin." Macon decides that it isn't ...

... sword "Which smoked with bloody execution" (1.2.20), meaning that Macbeth’s bravery was shown by his sword covered in the hot blood of the enemy. After at first symbolizing bravery, blood soon becomes an image representing treachery and treason. When Lady Macbeth is trying to summon enough courage to have the king killed, she cries out to spirits to "make thick my blood," (1.5.50) meaning that she wants to try and be as remorseless as possible so that she can perform this treacherous deed. Macbeth also calls the act of treason the “...bloody business...” (2.1.60) In addition, Lady Macbeth knows that blood is evidence of treason, and so she shifts the blame ...

... in 1911, Ethan Frome is considered one of the best contemporary short novels of its time. Ethan Frome illuminated Wharton's familiar writing style with a spark of imagination. In this story, as I expressed in the opening paragraph, lie two women. The first is Zenobia Frome, or Zeena for short. In her late twenties, she suffers from a compounded sickness that was thought to be brought on by her taking care of Ethan's mother and her absorption of life's burdens. In this story she is the conflicting character. The other woman is a young Mattie Silver, the cousin of Zeena and the housemaid of the Fromes. Mattie is about twenty-one years old and not too much of a ...

... are her father, a black slave Ariel, and a human variation of Caliban: Gator Man. The miniseries uses male forms of Ariel and Caliban, which does not force the viewer into believing in non-human characters, which makes them easier to understand. In addition, in the miniseries, Miranda has relationships with these human characters, which is not seen in the play. Ariel is a companion of sorts to Miranda and Prospero in the miniseries, unlike the play, where Ariel is a spirit who can only be seen by Prospero. Ariel's black slave character provides a masculine character that is a companion to Miranda and Prospero. Although he is a male, he is still portrayed as infer ...

... animals. (p.19) This speech gets all the animals riled up and sends the toughts of getting rid of man. Old Major then teaches them the song the Beasts of England which teaches them the "great" life without man and with no more bad leaders: Beasts of England, beasts of Ireland, Beasts of every land and clime, Hearken to my joyful tidings, Of the golden future time. Soon or late the day is coming, Tyrant Man shall be o'erthrown, And the fruitful fields of England, Shall be trod by beasts alone. Rings shall vanish from our noses, And the harness from our back, Bit and spur shall rust forever, Cruel whips no more shall crack. Riches more t ...

... was just as good as or even better than many of the white people. It was not until she went to live with her mother that she really put action behind her feelings. After Bailey’s departure, Maya felt that “it was going to be impossible to stay where she was, but leaving held no attraction for her either.” (Chap 34, pg 264, line 2) Eventually she decided to go to work. She had her mind set on becoming a streetcar driver. Even though her mother warned her that they didn’t hire coloreds, she was determined just as well. When she went to apply for the job, the white receptionist put great effort into discouraging her, mainly because she was b ...