... one servant ends up in on the city of Syracuse with one of the brothers and the other servant ends up in Ephesus with the other brother. Both sets of twin brothers had the same name. Both masters were Antipholous and both servants were Dromio. Is that not ironic? Shakespeare also creates comedy by making fun of other characters. For example, in Act 3, Scene 2, Dromio of Syracuse, servant of Antipholous of Syracuse, is making fun of a woman who thought that he was the other Dromio and tried to "jump his bones". He says, "she is spherical, like a globe. I could find countries in her" (p.36) Dromio finds such countries as England and France. "I looked ...

... The main idea of this poem, is based upon female sexuality and sensuality, and that sex is symbolic of life, or death if pregnancy fails. The title seems to mean now, "Woman to Man" as if the woman is offering herself to the Man, offering her body to create a child, through the act of sex. It also means that the woman has something to give to the man, not only the pleasure, but through blood and pain, a child. The language compliments the mood of this poem, as it varies from a sad and melancholy cry, to a voice of hope, all in a constant confident feel, and by this, the poet's reflections and contemplation’s are communicated successfully to us, making us f ...

... staged a daring raid to obtain the technology that would end up at the heart of the Macintosh. In the late 1960s, Xerox founded a PARC, California. Eventually, that facility, became ground zero of the computer revolution. the dinosaur era of computing, a typical machine filled a large room and was shared by dozens of researchers. Hiltzik credits Robert W. Taylor, who assembled the PARC team, with changing that. A psychologist, rather than an engineer, Taylor’s vision of the computer as a communications device proved to be a revolutionary idea. He found his chance to realize it when Xerox’s chief scientist Jacob Goldman persuaded his superiors to launc ...

... and liberally offers compliments. The books are piled on the table "perfectly exact"(111), the table had a cover made from "beautiful oilcloth"(111), and a book was filled with "beautiful stuff and poetry"(111). He even appraises the chairs, noting they are "nice split-bottom chairs, and perfectly sound, too--not bagged down in the middle and busted, like an old basket"(111). It is apparent Huck is more familar with busted chairs than sound ones, and he appreciates the distinction. Huck is also more familar with flawed families than loving, virtuous ones, and he is happy to sing the praises of the people who took him in. Col. Grangerford "was a gentleman all ...

... or given reason to do otherwise. McBride's race came to his attention at an early age. He noticed that both black people and white people stared at his white mother with her black family, letting him know that his family was different from what was considered normal and acceptable by society. Comparing skin color with his mother, he noticed that her skin was white while his was black. He became confused about his own color and uncomfortable with the fact that his mother was white. He wanted to be accepted by others, and he thought that life "would be easier if [his family was] just one color, black or white" (103). McBride became aware of his race at a you ...

... a good speaker and can easily persuade people, whereas Napolean is not a very good speaker. Napolean was jealous of Snowball, and he was power hungry. One day, he had his nine enourmouis dogs chase Snowball off the farm. Now Napolean was in complete control, and he made it seem like he was putting a hardship on himself by doing so. Squealer was sent around and said, ³I trust that every animal here appreciates the sacrifice that Comrade Napolean has made in taking this extra labor upon himself. Do not imagine, comrades, that leadership is a pleasure!² (69) It was here that the shift to totalitarianism became rapid. Aside from the pigs and dogs on Animal Farm, t ...

... a few days later her stepfather dicided to mend the wall of Helens room so that she had to move into her sisters room and now she was scared for her live. So Sherlock Holmes went to investigate. Holmes investigated the whole house and he build up a plan to catch the murderer! Holmes had found out that there was an air-vent that was inside the house betwenn the sisters room and the stepfathers. Holmes now was in the room that Helen was supose to be in and sudenly the light was light in the stepfathers room, and then Sherlock jumped and hit the bellrobe under the air-vent. Then there was a little whistle and then a scream and Holmes ran to the other room and there wa ...

... there he was still watching her" (593), revealing his true desires and aspirations. Arnold not only wants to kill Connie, but to see and understand every breath she takes. Although unaware of his closeness, it becomes quite apparent that Arnold Friend is stalking Connie when he states, "I Know my Connie" (597). In Arnold's mind, Connie is a component of his game that he must figure out. Bringing fear to Connie's eyes, Arnold states, "I know your name and all about you, lot's of things" (597), truly proving his demented intentions. Recalling seeing Connie at the drive in, Arnold states, "seen you that night and thought, that's the one, yes sir" ...

... it's the other way around. In Chaunticleer's description Chaucer uses a contrasting humor. The rooster acts as a noble knight or prince when in reality he is only a barnyard animal. The description of the barnyard animals brings an undercut from the courtly love that occurs throughout the tale. The reminds you to think that Chaunticleer and Pertelote are only animals which brings about a hilarious effect. With Nicholas, a lowly clerk, portraying a higher class gentleman when in essence he just wants a sexual pursuit and the meaning of his name uses an ironic humor to show he is an idiot. With John, the carpenter, Alison, his wife, and Absalom, the priest, in "The M ...

... essential because "both O'Connor and her God are ironists [unyielding] . . . her heros are willful characters who must be humbled in learning that the will of God must prevail" (Master-pieces 497). O'Connor portrays two varieties of sinners who possess either excessive pride or aggressive evil traits. The price of redemption is high. O'Connor violently shocks her characters, illuminates their shortcomings, and prepares them for redemption as seen in: "A Good Man is Hard to Find," "Revelation," "The River," and "The Lame Shall Enter First." Walters reasons, "The instruction of pride through lessons of humility is, in each story, the means by which the soul is pr ...