... The Crucible, View from a Bridge, After The fall, A Memory of Two Mondays, Incident at Vichy, and The Price. He wrote these plays in a period of twenty-one years. It was from 1947 to 1968. Arther Miller was born on October 17, 1915 in Harlem, New York City. He is the second son of Isadore Miller who manufacture of women's clothing and Augusta Barnett Miller. Many characters in Arther Miller's plays are modeled after his older brother Kermit Miller. In 1933 after he graduated high school he became interested in literature after reading dostoevsky's "The Brothers Karamaou". Then he was refused admission to the University of Michigan because he had too low ...

... belly buttons, how shapely our earlobes were, how fast we healed after we scraped our knees, how thick and dark our hair was, how many shoes we wore out in one year, and later, how smart Waverly was at playing chess, how many trophies she had won last month, how many cites she had visited” (27). Jing-Mei, the piano player in The Joy Luck Club, felt the most pressure from her mother, because her mother had to follow behind the word of the prodigy in town. ‘“Of course you can be a prodigy, too ’” Jing-Mei’s mother, Suyuan, tells her after receiving the news of Waverly, the chess prodigy (141). The expectations for Jing-Mei have heighten now that her mother’s ...

... for Robert Lowell’s choice in animals becomes obvious. Utilizing such an isolated animal to parallel the thoughts of the speaker, Lowell considerably strengthens the distance between the speaker of the poem and the “love-cars” (Lowell 11) being watched. Even if the occupants of those cars knew they were being observed, chances are they would not associate themselves with the speaker. In addition, Robert Lowell portrays his character as something akin to a stalker, illustrated in the following excerpt. One dark night, my Tudor Ford climbed the hill’s skull; I watched for love-cars. (Lowell 25-27) Why would anyone be out alone, se ...

... of the play Macbeth is a strong soldier who fights for the King without mercy but his strive for ambition and his curious nature leads him to the witches who give him a prophecy. Banquo realises that there must be a trick hidden in the witches prophecies somewhere but Macbeth refuses to accept that, and when Lady Macbeth finds out about the witches her strong desire for ambition and her cold nature leads Macbeth astray. Macbeth is a little ambitious at first, but Lady Macbeth’s far exceeds his and so she is able to get Macbeth to agree with her to kill King Duncan. Macbeth still has a conscience at this stage because he is very hesitant about killing the King but hi ...

... there by Pepe to help win the confidence of the rest of the brigade. Olivia had a strong sense of leadership, and was put in the position to increase morale. Settings: This story takes place in Central America, Southern North America, and Cuba. The United States has bases in Guatemala, and San Jose for staging and training areas for the Cuban refugees. Some of the refugees from Miami have volunteered to work underground in Cuba. This book takes place during the beginning of the Cuban Missile Crisis and the Cold War, 1961. This time was critical for Cuba. Cuba is torn between Democracy and Communism. Culture: Culture has not changed in most aspect ...

... ideas leads to the highest absolute - that of Good. In addition, the theory claims that states of being are contingent upon the mingling of various Forms of existence, that knowledge is objective and thus clearly more real, and that only the processes of nature were valid entities. However, Aristotle attacks this theory on the grounds that Plato's arguments are inconclusive either his assertions are not al all cogent. Aristotle says, or his arguments lead to contradictory conclusions. For example, Aristotle claims that Plato's arguments lead one to conclude that entities (such as anything man-made) and negations of concrete ideas could exist - such as "non-good" in ...

... was young his big brother made a promise that he would look after him. Unfortunately, Sonny chooses the wrong path at first and gets involved in drugs and has to go to a rehabilitation center to get better. After he gets out his brother asks him "What do you want to do?"(47), to which Sonny replies "I’m going to be a musician. (47)" Sonny’s brother doubts his aspirations from the beginning and even tells himself that "(he) never played the role of the older brother quite so seriously before (47)." Sonny’s brother is a teacher and you can tell by his instincts how much he want to teach Sonny things about life in general. By playing ...

... a boy at the time the story takes place. Throughout the story he shifts from first to third person narrative voices. At times in the story he would speak as only a child would, then something would be said by him which was too knowledgeable for a boy his age to know. This gives an impression that he is older and is remembering things of his past. Switching between first and third person shows that the choice he made greatly affected him. The way the characters are portrayed remarkably depicts Faulkner’s theme. The two conflicting characters are described in similar ways to show their differences. Abner is described by how people see and think about him ...

... can behave as a machine. This point is lost to those who are denied the final chapter of . Chapter 20 ends with Alex saying "I was cured all right." These are the last words of the book in the American version. There is no indication that Alex will change from the evil life it appears he will soon resume. It is implied to the reader that Alex is destined for a life of evil and there is nothing he can do to change it. Alex has no free will or moral choice. The theme of the 20 chapter version is that there is no such thing as free will or moral choice. Alex is evil and he has no ability to change that. The story also ends without Alex evolving at all from the beg ...

... experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure. One of Hughes’ most distinctive styles stemmed from urban nightclubs in which black artists performed for a white audience. Hughes’ great appreciation for the black urban music style is obvious throughout the various rhythms, patterns, and unpredictable improvisations that mirror the chaotic and pulsating tempo of city life. Jazz and black oral influences, as well as social dichotomy are pervasive elements throughout Hughes’ poetry. Like nightclub entertainers, Hug ...