... choice to disobey these roles and her need for self-discovery, which cause a shocking end to this adventure to find her true self. In her critique, the female artist in Kate Chopin's The Awakening: Birth and Creativity, Carlene Stone takes the reader through stages of Edna's struggle to become an artist showing direct correlation with her becoming and individual and in control of her own self. For example she states how Robert's encouragement while she is painting is very innocent in the beginning but eventually lead's to the awakening of her passions of her body and her falling in love with Robert. The fact that Edna falls for Robert goes against those societal ...

... and Lionel. Alberta Frank is a Native American woman teaching native studies to a small group of "white" students at the University of Calgary. This Native American woman is lecturing on the "destruction aimed at . . . reservations," a topic integral to her life, and one from which a great deal of passion should be generated. However, her uninspiring and spiritless lesson causes "certain individuals" to "fall asleep," sit "virtually in each other's laps," and enter into a private "conversation." Indirectly her lecture touches upon an important religious celebration of the Native American culture, the Sun Dance. She depicts the Sun Dance, which celebrates ...

... be explained in detail. In this paper, I will address some of the events that involved Oedipus’s life, how those events affected his life, and finally how he adapted to his fate. Oedipus was born to the royal family of Thebes as the King’s son. The God had told Oedipus’s mother that she had to get rid of him because he would kill his father and marries his mother. Therefore, Oedipus’s mother ended up giving Oedipus to a stranger and asked him to kill Oedipus as a baby. Then the stranger felt sorry for the baby and he ended up giving the baby to a family for adoption. Oedipus grew up and left the family that adopted him at a young age. O ...

... Macbeth started to succumb to the belief that deeds "must be acted ere they be scann’d,"(III.IV.140). Lady Macbeth in particular loses sight of rationality from the play’s beginning to end. She feigns an image of ruthlessness and believes she can handle the intrusion of unearthly evil in her mind and soul. She presents a seemingly stable foundation of control in which she clutches with an iron fist. As Macbeth becomes less dependent on his wife, she loses more control. She loses control of her husband, but mostly, of herself, proving her vacillating truth. Lady Macbeth’s character gradually disintegrates through a false portrayal of unyielding strength, ...

... the shock of black hair, down his nape and low on his forehead, seemed to suit his gloomy face and made what had seemed at first an unsociable remoteness into something forbidding." Roger was an authoritative big'un that didn't seem to care about the consequences of his actions. Not only was his appearance gloomy, but his personality tended to be as well. "Roger, uncommunicative by nature, said nothing." His physical appearance led the reader to believe that Roger was a completely corrupt character, inside and out. Roger seemed civilized near the beginning of the novel. Even though he was civilized, he still had the tendency for evil. While he threw rocks at Henry, ...

... Proctor. His choice though is the one of a coward; for if he had instead of being hung chose to live the rest of his life as an outcast he would at least still be able to teach his children the error of his ways. Thus because John Proctor had a way out of his trap and opted not to take it because of selfish pride he is not tragic. Tragedy has been said to be the "progress from ignorance, through a cycle of suffering, to enlightenment" (Merle 4). But what exactly does that mean and who would fit this bill of tragedy? Arthur Miller was quoted by the essayist Koon as saying "The common man is apt a subject for tragedy as kings" (Koon 5) And the same idea was reaffi ...

... Laura hides from a world lit by ‘lightning.” Tom, on the other hand, relies on self-denial to justify his concerns and feelings of insecurity. By making himself believe that he is a righteous male, he convinces himself that his needs supersede his family’s. Claiming to be an artist of emotions, he projects to the audience a facade of control and masculinity. His biggest dreams flash before his eyes on a screen in a darkened room; yet, in that little apartment he faces only the dimness. Even during his reflections on the “fire escape” he is not really separating himself because that metal frame, however sturdy, is still anchored to the apartment wall. Amanda, the ...

... business, and all day long some noisy pest kept following him around, yelling vituperation. He even followed home. Throughout the ordeal, maintained his composure. It was dark by the time arrived home, so he gave orders for one of his servants to take a torch and guide this critic safely back to wherever he lived. Some people said that was only trying to fool the public with a false front of virtue. But Zeno replied that if were faking virtue, his detractors should do the same, because even pretending to be good, if this is continued for long enough, will give a man the desire and practice that is needed for good habits. was very wealthy, and his skill w ...

... the characteristics of the American Dream and what people strive for when they come to America. Gatsby is a man that is out to impress others and he tries dearly to gain acceptance from others but he is not always successful at this. This is clearly shown when he hosts these immense parties that he creates to impress others but to mostly lure in Daisy so that he can meet her again and finally show off his social status to her. But before this could happen, Nick, Gatsby’s new neighbor and cousin of Daisy, meets Nick. As they began to talk, Gatsby starts to discuss portions of his past to Nick and he seems the need to shows proof to back up his claims. For exa ...

... Civil War, the only thing that kept the South alive and running where the memories of fallen heroes and the belief that the South would someday regain the status that it had once held. Families like the Sartorises and the de Spains were glorified and praised for honors that their family members had achieved during battle. The honor that families like these were granted placed them in public offices, and gave them opportunities to prosper where others could only dream about. This same honor seemed to carry on to those who shared the names of the great war heroes. “‘Hey', the Justice said. ‘Talk louder. Colonel Sartoris? I reckon anybody named for Colonel Sartori ...