... that he lives on the Cross Corners of New Hampshire and that he's on a farm. The story doesn't give much description on what his house looks like or the scenery. Also, in “The Devil and Daniel Webster” it tells the story at a quicker pace. Jabez meets the Devil and makes a deal before the story and plot really develop very much. In the “Devil and Tom Walker” the story goes into a lot of details about how his house is raggedy, ugly, and trashy looking. No man traveling ever stops at their house. His wife hides things, is mean, and a loud-mouth. The story describes how Tom walked through the murky swamp and how he met “Old Scratch” unlike “The Devil and Daniel Webs ...

... not come to the village, then they will go to his house. But the doctor refuses to treat Coyotito because Kino is too poor. Later that day, while Kino and Juana are fishing in the Gulf, Kino finds an enormous pearl and cries out in joy. He believes the pearl will make him rich and enable him to provide security for his family. But Kino discovers otherwise. The pearl stirs envy in the villagers, and that night Kino is attacked in his hut by a thief. The following day, he tries to sell the pearl to buyers in town, but he is offered only a small amount of money for it. The buyers all work for the same man. They know the pearl is w ...

... her sense of happiness as something not monstrumental or graniose, but rather quite simple. She can be happy throwing a party, she can escape reality: Every time she gave a party she had this feeling of being something not herself, and that everyone was unreal in one way; much more real in another. …it was possible to say things you couldn’t say anyhow else, things that needed an effort; possible to go much deeper. But not for her; not yet anyhow. (Woolf 171) Kramer 2 With Septimus, seeing his best friend Evans die at war has been a major trauma in his life. His wife Rezia must constantly take him away from his reality and have him focus on things not involving wa ...

... transgressing these rules by the gods. The story of Joseph in Genesis 37-46 we learn of Joseph’s rise from a position with little promise of his ever gaining prominence to the pinnacle of power in ancient Egypt. This ascension as a whole gives us a glimpse of God’s order in the world, but the details of the story each provide evidence that God is the sole proprietor of order and justice. Joseph, the youngest of twelve sons, is provided with a prophecy of his future greatness which he tells his brothers: “behold we were binding sheaves in the field, and, lo, my sheaf arose...your sheaves stood round about, and made obeisance to my sheaf...and be ...

... the first barber." The contrast between Marjorie's delicate appearance and her vicious nature was described in similes. Marjorie, braiding her hair, "looked like a delicate painting of some Saxon princess." Her braids "moving under the supple fingers like restive snakes" suggest her treachery. Fitzgerald also uses foreshadowing when Marjorie called Bernice's bluff about wanting to leave. Later Marjorie called her bluff about bobbing her hair. As Bernice's hair was being cut, "there was a curious narrowing of her eyes" that foreshadowed her expression when she got the idea to bob Marjorie's hair. "Suddenly she drew in her breath sharply and an expression flas ...

... roads to follow on the map of their continuous journey, life. Robert Frost puts his persona in front of a road diverging, and he must make a decision on which to take. The two roads are almost identical, but one is less traveled by. He looks ahead, but can’t see far, due to “where it bent in the undergrowth”. Alistair MacLeod does it differently; the narrator has come to a fork in the road, but without hesitation he takes the more traveled by. This is the first contrast between the two literatures. "And both that morning equally lay in leaves no step had trodden black." the leaves had covered the ground and since the time they had fallen no o ...

... and sexually appealing to other women. As a result, Wright has projected his main character, Charlie Salter, as a stereotypical novel hero in the area of romance. Strength is another way in which Wright portrays Charlie Salter as a typical novel hero. Strength comes in many shapes and forms. In the earlier novels Salter was somewhat obese, and definitely out of shape. While laying in bed one morning, he said to his wife, “My physique isn’t what it once was.” (A Question of Murder pg.24). Immediately after saying this Salter made a vow to himself to get back into the physical condition he once had during his early years on the force. Sal ...

... decayed. This poem is choppy at timed, but it flows smoothly at others. Long hyphens throughout the poem slow down reading speed. This could be compared to the rate of decay. Sometimes decay is rapid, sometimes it is slow. the last three parts of the poem’s structure help create its figurative meaning. Imagery is Dickinson’s main figurative tool in this poem. the idea that crumbling is progressive is supported by the last two lines of the first stanza, which state, “Dilapidation’s processes Are organized Decays” This means that crumbling is a result of dilapidation, which is caused by gradual decay. The deterioration th ...

... the windows on the car but his fists were too badly injured to do it. Holden went to the hospital bleeding during Allie’s funeral. Holden did not attend his brother’s funeral, so that he would not have to completely let go of Allie. Holden was changed so much by his brother’s death, Allie’s death. Holden often talks to himself, like Allie was still right next to him, thinking he is having a conversation with Allie. This shows Holden has unresolved issues of Allie’s death, that he has not gotten over it yet. Holden never goes to Allie’s grave, to see his tombstone. Thinking that if he never goes to see him, Allie death wo ...

... another in the end. What is interesting is when the narrator takes on a different type of role in a novel. He is no longer used merely as a device to incorporate information; instead he plays an important and active part in the development of the plot. Traditionally the narrator is usually outside of the story, but in The Great Gatsby by F. Scott Fitzgerald, Nick Carraway (the narrator) is much more than that. Nick in this novel is an active member of the story, being only second in importance to the main character Jay Gatsby. This novel takes a very different approach in its development of the characters. Having the narrator change more than any of the other charac ...