... within the story, it can be suggested that Emily’s over-protective father stands to represent Emily’s feminist struggle, the ongoing battle for women to have an equal place in society. Emily should be able to do as she pleases, but her dependence her father does not allow her to have that freedom. Her father’s over-protection is evident in this passage, “We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will” (279). Her father robs her from many of life’s necessities. She misses out on having friends, being a normal & ...

... often find it tempting to display their research and learning ability by filling each paragraph with mindless babble. Michael Shaara tells the story with vivid emotions. He makes the reader feel like they were there in the camps, under the artillery, behind the stone wall, marched, bled, and prayed that Lee would not order the charge. Michael Shaara takes you there, as soldiers saw the war and army life. He showed the true sorrow and terror. "Yet you learn to love it. Isn't that amazing? Long marches and no rest., up very early in the morning, and asleep late in the rain, and there's a marvelous excitement to it, a joy to wake in the morning, and feel the ...

... “We are here, Your Honor, precisely to discover what no one has ever seen.” Parris’ meaning is very simple; he is simply commenting that the court is trying to discover the poppets that supposedly Elizabeth had hidden at her house, that no one has seen. But to read Miller, one must be more perceptive, and in examining this quote by Parris, there is another meaning behind it. As most know of the Salem witch trials, they specifically know the unjust and misled court system that was used to accuse the witches. The words uttered from Parris’ mouth at that instance are so contradictory of the court and ironic that from a reader’s standpo ...

... different types of imagery and descriptive adjectives to induce sensory impressions of the setting, create the fluctuating mood of the poem, which is the eternal struggle of nature over man. In "Dover Beach", Matthew Arnold uses detailed adjectives and sensory imagery to describe the setting and portray the beginning mood, which begins with the illusion of natural beauty and ends with tragic human experience. The poem begins two-part stanzas, the first which is promising and hopeful; the second replaces optimism with a reality which is grim. Arnold uses contrast when he appeals to the sense of sight in the first section and to hearing in the second. Arnold start ...

... it's gonna be, maybe, in California. Never cold. An' fruite ever'place, an' people just bein' in the nicest places, little white houses in among the orange trees." They had been lied to by the handbills and other propaganda that was circulating in the dust bowl region. The growers in California knew that the people of the dust bowl would have to leave their houses because of the crisis. They also knew the more pickers they had the lower they could make their prices. The number of handbills sent out far out numbered the number of jobs available. Many people in the dust bowl were constructing a view of California that was devastatingly false. However most of the peopl ...

... this talent in it we find many of her highly celebrated qualities in the space of just a few pages. "Roman Fever" is truly outstanding: a work that exposes the gender stereotypes of its day (1936) but that moves beyond documentary to reveal something of the perennial antagonisms of human nature. From the story's first sentence, upon the introduction of two women of "ripe but well-cared-for middle age," it becomes clear that stereotypes are at issue (Wharton 1116). This mild description evokes immediate images of demure and supportive wives, their husbands' wards. Neither woman is without her "handsomely mounted black handbag," and it is not until several paragr ...

... disregarded Shine’s warning about the overflow of water in the boiler. After Shine told the Captain what was going on, he knew of the outcome of the overflow of water in the ship, and so he decided not to hang around to find out; Shine jumped ship. Even when the Captain’s daughter called out to him, Shine’s ultimate goal was to get safely to shore and leave the sinking ship. Shine swam to shore for thirty minutes before reaching the shore. Since Shine was part of the Titanic crew, he perhaps knew that swimming was his only chance to save his life; he was not going to stay there and drown. As Shine swam to shore, he came across a whale that wanted to eat him; th ...

... Don Giovanni, we must understand his views on women and his views on himself. He is an arrogant man who tries to sleep with as many women as he possibly can. He sees women as majestic, charming, but will show love to them only if they fall for his intensive courting abilities. While trying to seduce Donna Anna, she summons her father, the Commendatore, who rushes to her defense. The two begin in a duel in which Don Giovanni slays the old man. Upon seeing her dead father, Donna Anna and her fiancé, Don Ottavio vows death as the only revenge. The next morning Leporello and Giovanni run into a celebration a young couple that is going to be married. ...

... book is Stevens family. This picture was when Zoe, his daughter, was young. The mother and daughter appear to be very close. The reality within the picture is that Mitchell is not quit as close as they appear. Mitchell did not want to be that close to his family simply because he feared being to close and then losing them. The picture reminds me of the trip that the family took to North Carolina. This image comes from the end of their vacation. In the picture he seems like he is trying not to get to close to his family. One reason for this is the scare he went through with his daughter, Zoe. The scare the family went through was when Zoe got bit by a ...

... in nature’. In the first soliloquy and the third, Hamlet is particularly nihilistic. In the first he says; ‘Oh that this too too solid flesh would melt, Thaw and resolve into a dew!’ He clearly has suicidal tendencies, which crop up again in the third soliloquy; ‘When he himself his quietus make With a bare bodkin’ Clearly, Hamlet is unhappy, but it may be because he has too little to do (He is briefly happy when things take his mind off his problems - e.g. when the players arrive - but even this, on reflection, leads to more soul searching in a soliloquy). Other aspects of Hamlet’s character for the most part get ...