... Five of them were members of the Nazi party, but none were in the SS. Of thirty-two remaining officers twenty-two were Party members, but none were members of the SS. Sixty-three percent of the rest of the battalion were blue-collar workers. About thirty-five percent were lower-class workers. The remaining two percent were middle-class but not greatly successful. Many were in their late 30s, too old for active army duty, but just right for police duty. They were old enough to know of political ideology other than that of the Nazi party, even though most were members. Without a doubt, the men of this battalion greatly contributed to the final solution. The first act ...

... father-son-holy spirit is taken from a heavenly, theological realm and brought into the present. Second, there is the idea of the Adamic myth of America, whereupon mankind has found a temporal Garden of Eden in which to recreate himself and the world around him. The final theme is that of the perfect order of the cosmos as the stage for which these things can happen. Whitman makes the case that each individual, each "leaf of grass" has its own place within nature. Up until the time of Whitman, the prevailing religious dogma of America had been one of strict adherence to traditional values and beliefs. Approaching the turn of the century, however, sentiment for a ...

... parts of Horatio, Marcellus, and Bernardo. Suspense is created when the audience is ignorant as to the purpose of the ghost. Later in the play the ghost is utilized to allow Hamlet and the audience knowledge of the vile murder of the king by Claudius, the kings own brother. When the ghost finally speaks, he tells Hamlet, “Revenge his foul and most unnatural murder. Murder most foul, as in the best it is, But this most foul, strange, and unnatural.”(I.v.25-28) These quotes let Hamlet as well as the audience know that the fathers death was foul and unnatural contrary to popular belief. The spirit then reveals the murder to Hamlet by professing thi ...

... choirs, where late the sweet birds sang. In quatrain one, Shakespeare has come to the understanding that death is upon him by describing the changes of autumn leaves, bordering on the aging process and his hair turning gray. The boughs which shake are the tremors his body is having reminding himself once more that he is not as young as he use to be and ageing has left him feeling like he has lost the power to write. By focusing on the fact that ageing is a slow and discouraging process he is building on the hopes that someone will feel sorry for him and acknowledge the fact that he may die soon. In me thou see’st the twilight of such day As after sunset ...

... theater was far from being bare, the playwright did have some valuable technical sources that he used to the best of his ability. The costumes the actors wore were made to be very elaborate. Many of the costumes conveyed recognizable meanings for the audience such as a rich aristocrat wearing silk clothes with many ruffles. Many times there were musical accompaniments and sound effects such as gunpowder explosions and the beating of a pan to simulate thunder. The stage itself was also remarkably versatile. Behind it were doors for exits and entrances and a curtained booth or alcove useful for actors to hide inside. Above the stage was a higher acting are ...

... many Japanese girls, named Hatsue. As fate would have it, they fall in love with each other in Shakespeare-like-fashion. The problem of them coming from two different races of people forces them to be secretive about their relationship. When Hatsue is forced to move away because of WWII regulations, she ends her relationship with Ishmael, sending him into a life filled with jealousy and grief. Howard Frank Mosher paints the same portrait for us, only in a more commonly know setting. A black man and his son are cognizant of their color when they are forced to live in a town of solely white people. As the murder trial unfolds, we find out that the man’s so ...

... are, however, problems in her comparison of the Odyssey and outside texts (especially that of Carol Gilligan), inconsistencies in citations and style, and examples that either have little or nothing to do with her thesis.. The largest problem with this essay that I could find is the ignorance of a few facts that could possibly be construed as being in opposition to her findings. Since I am not familiar with and have not read any of the outside texts to which Foley refers (Aristotle's Oedipus Tyrannos, Poetics, Politics, and Ethics, the Hippocratic medical texts, and the feminist theory of Carol Gilligan), I can only assume that her interpretations of these texts ...

... Prynne was quite aware of the fact that truth will be revealed. She was forced to wear a scarlet “A” on her bosom, which stood for adultery, for her entire life. Truth was revealed to Hester by the fact that she became pregnant with a child as a result of her sin. Pearl noticed her mother’s scarlet A as a baby and was attracted to it instantly for some reason. Pearl notices the letter as an infant as her “eyes had been caught by the glimmering of the gold embroidery about the letter, and, putting up her hand, she grasped at it…”(98) and Hester feels the “torture inflicted by the intelligent touch of Pearl’s baby ...

... of most of Gene's feelings, both good and bad. First, one of the biggest problems that Gene had, that is jealousy. Gene was jealous of Finny's confidency, openness, modesty, superb athletic abilities, his natural leadership skills, his ability to deal with stress easily, his care free attitude, his people skills and, of course, his good looks. Early in the story Finny demonstrated his openness by when asked for his height, he said 5 foot, 8½ inches, while Gene replies 5 foot, 9 inches. Finny pointed out that they were the same height and you shouldn't be ashamed to tell anybody your real height. Later that day, they skip dinner to go swimming in the river,b ...

... honor and courage than the rest of Arthur's Court by coming forward. "Would you grant me the grace,' said Gawain to the King, 'To be gone from this bench and stand by you there." (Gawain, lines 343-344) "I am the weakest, well I know, and of wit feeblest; And the loss of my life would be least of any;" (Gawain, 355-356). The poem is full of instances in which Gawain was forced to face difficult decisions. Gawain could have simply left Camelot never to return. He instead chose the option of keeping his word and searching for the Green Knight, even though he knew he had to take what was coming to him. "Now, liege lord of my life, my leave I take; / The ter ...