... unit is the household, which is virtually synonymous with the family". Utopia is a nation in which everyone is educated. "Lunch and supper begin with a piece of improving literature read aloud". More based his ideal society on the premise that each person is to "cultivate his mind - which they regard as the secret of a happy life". In Plato's Republic, the ideal society contains three classes, the ruling class, the auxiliary class, and the rest of the society as they are compared to gold, silver and bronze. They aren't said to be of less importance from each other, although they do have their different significance in the society. Plato's ideal city also includ ...

... as stone, and I must tell you all that I shall not precede unless you are prepared to believe me if I should find no bruise of hell upon her" (38), it is a mere empty promise, since before the ending of Act One he already mentally decides Salem is plagued with witchcraft, with or without concrete evidence to support his allegation. Hale uses such scant evidence as Putnam’s death of her first seven children and Giles’ wife reading of strange books which keep him from reciting the Lord’s prayer. Ironically, he encounters, Tituba, after hearing that this Barbados slave had been practicing voodoo with the afflicted girls. After Hale puts immense p ...

... control over her actions. He has power to keep her from finding a life outside of his: "We remembered all the young men her father had driven away." Emily learns through her relationship with her father that the only way to love is through power. He dies when Emily is about 30 years old, and, while it gives her freedom, she mourns his death. The power held over her, which Emily interprets as love, is gone. Emily never experiences a normal relationship. The townspeople do not feel affection for her in the traditional sense. Instead, they regard Emily as "a tradition, a duty, and a care; a sort of hereditary obligation upon the town." Emily is somewhat of a re ...

... tries to consider the consequences as he "looked down one as far as I could". But each road "bent in the undergrowth" as where each road lead to is not obvious. It's unclear to him what the consequences would be if he chooses either road. The second stanza shows the difficulty of making choices. The speaker tries to distinguish one road from another as he describes one road as "having perhaps the better claim". Here he tries to make an excuse for choosing this road over the other - "because it was grassy and wanted wear." But in line 10 he confesses that both roads are, in fact, not different at all - "as for that passing there had worn them really about the same". ...

... Steinbeck presents the actions and speech of Ma, allowing the reader to draw his own conclusion from what MA says or does. Throughout the novel, Ma's face showed that it is controlled and kindly. She is the strength of the family and she always uses her emotions for her family's benefit. Her family didn't feel anything she didn't feel. If she felt fear, the family did too. "Since old Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she had practiced denying them in herself." She always kept calm in front of the family because she knew if she showed fear, she would lose control of the family. She also knows her family ins ...

... rest of the poem, personification of the woman as nothing more than a piece of office equipment is expressed with striking realism. In the first six lines of the poem the speaker describes herself in salient detail. Each of her body parts are placed with an obvious piece of office equipment. This allows the reader to form a solid picture of a woman sitting at her desk performing the daily drudgery of a secretary. She does not see herself as a real woman but a woman whose hair is”rubber bands” (3), whose”breasts are wells of mimeograph ink”, (5) and whose “feet bear casters” (6). The secretary is so entrenched in her job that she describes her “head as a ba ...

... a rural village. He then married a women who was quite older then himself. He was unhappily married to her saying that "Her dresses barely hung on her bony frame", This coming right before her death. Upon his wife's death, Charles married an attractive young women named Emma Roualt, the daughter of one of his patients. Emma married Charles with overwhelming expectations. She thought marriage would be filled with three things, "bliss, passion, and ecstasy". Emma had a character that was 1) dissatisfied 2) adulterous and 3) free spending. For a while she was excited and pleased by her marriage, but overwhelmed by her new life, she quickly became dissatisfied. As a re ...

... young readers mind to imagine how these unheard of characters look and act. "I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it's a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life's realities." -Dr. Seuss. Be able to enjoy a story is equally important to what is learned from it, and millions of people enjoy the stories of Seuss each day. Seuss helps the reading process along by making reading fun for children. He uses rhyming words, like in his book Fox in Sox. The line "When beetles fight these battles in a bottle with their paddles a ...

... while Maria only shows hers through her mindset not making it public. Maria does not generally truly believe herself inadequate. However, through much of her behavior it seems that at times she does. Maria and Little Chandler are very inadequate thereby not allowing themselves to achieve their full potential. This inadequacy is stressed throughout Clay and A Little Cloud and is emphasized by Maria’s and Little Chandler’s very childlike appearances and mannerisms. Maria is described as a “very, very small person” (Clay, pg. 87) as Little Chandler “gave one the idea of being a little man.” (Cloud, pg. 60) Little Chandle ...

... he treats them with understanding and compassion. Cheever's characters are uncertain in their desires, so the stories themselves are unclear, presenting no clear resolution ("Overview" N. Pag.). Finally, at the end, Farragut miraculously escapes from prison, and the unpleasant world he was living in. Farragut's actions tend to add emotional tension to the novel. The novel reminds us that man has always had to face new and inhospitable environments, and that change, with its accompanying reactions of surprise and shock, can be stimulating as well as disturbing (Bracher N. Pag.). Farragut did not mean to kill his brother. His brother's death was an accident, an ...