... feeling of the poem. Dickinson used this metrical pattern to convey to the reader that the bird did not feel natural on the ground. The meter forces the poem to be read very jumpy and quick, much like how a bird acts while on the ground. Even though the bird is on the ground for a short amount time it still acts cautiously because its natural habitat is in the sky. And the he drank a Dew From a convenient Grass– And then hopped sidewise to the Wall To let a Beetle pass– When the bird finally flies away the poem's flow mimics that of a flying bird, very calm and free "And he unrolled his feathers / And rowed him softer home–". She describes a ...

... that Okonkwo only cares of himself and has no real emotion. Although that is not true as Okonkwo bears grief for what he had done. Soon there after, Ezendu perishes, and an accident happens that results in the seven-year exile from Umufia. Prior to, during and after Okonkwo's exile Obierika plays a huge part to the strength of Umufia as well as Okonkwo. As a man of title, Obierika passes the most knowledge and character definement of the three focuses of this paper. Obierika is the Okonkwo's best friend and therefore, is always looking out for Okonkwo's best interest. During his time of exile, he brought him the sacks of cowries that the yams of his prior f ...

... with the ghost of King . For a man thought to be feigning insanity, Prince seems to have very little control of his emotions. In fact, admits this to Horatio, his confidant, when he says, "Sir, in my heart there was a kind of fighting / That would not let me sleep" (5.2. lines 4-5). This lack of restraint leads to 's unpredictable mood swings throughout the play. 's relationship with Ophelia easily spawns such dramatic alterations in the prince's attitude. For example, when first suspects Ophelia acts only as the pawn for Polonius's ploys, he reacts rashly, bitterly denying that he ever loved her. "You should not have believed me, for virtue cannot so / ...

... Romeo and trying to start a fight. When Romeo finally does fight him to get revenge, he ends up killing him and thus gets exiled as the Prince promised earlier in the play. Romeo getting exiled means that when Friar Laurence and Juliet plans their devious scheme, Romeo is not able to hear about it straight away. In fact, he never hears about it, so assumes Juliet is truly dead. Paris seems to keep everything does very hasty as he wishes to marry Juliet in two days. This means that Juliet drinks the potion that night, where she speaks her monologue in her bed. If Paris wasn’t going to marry her in two days time, then she would have waited for a reply letter from R ...

... body was discovered by the porter of her apartment who is “astonished that there should be so little blood on the floor” when he discovers that she is lying on the ground dead after being stabbed several times (18). This is the first clue that Angela is cornered in her own little world. She has little blood, which is regarded as the seat of emotions, and her lack of such nourishment suggests that perhaps she was never nurtured. Furthermore, her cause of death, internal hemorrhage, suggests that those feelings imbedded within her were lost rapidly and uncontrollably (19). The obscure grasp Angela has of her emotions is just one facet of her imprisonme ...

... of the brave fighter who had been injured in a valiant battle for his country. In the next passage, in which the sergeant says, "Which smok'd with bloody execution", he is referring to 's braveness in which his word is covered in the hot blood of the enemy. After these few references to honour, the symbol of blood now changes to show a theme of treachery and treason. Lady Macbeth starts this off when she asks the spirits to" make thick my blood,” What she is saying by this is that she wants to make herself insensitive for what she is about to do. Lady Macbeth knows that the evidence of blood is a treacherous symbol, and knows it will deflect the guilt ...

... poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says ...

... Arthur is described as having “a white, lofty, and impending brow”(Hawthorne 46), which suggests that he knows what is right and he has “large, brown, melancholy eyes”(46) that are the window to his soul. His eyes allow Roger Chillingworth to see through him later in the novel. Arthur keeps his great sin inside of him for 7 long years and Hester is forced to wear the letter A as a symbol of adultery. Throughout the 7 years Arthur has been suffering continually, and he always keeps his hand over his heart as a symbol of his love towards Hester and Pearl. Dimmesdale knows intellectually what the moral thing is to do, and he even tries good works, but the darkness ...

... "That there should be anything more to it than that was a thought that never entered his head" (119). To many times modern man plods along oblivious to the reality that lies one moment or misstep away (Votleler 272). The man sees that he is feeling the effects of the cold more and more as he goes along, but more than ever he pushes on. Several times he comments that the cold is making his hands and feet numbed, and frostbite is killing his cheeks. He thinks "What were frosted cheek? A bit painful, that was all. . ." (120). Again he chose to ignore an instinct that would have saved him. The dog, on the other hand, although guided by his learned behavior ...

... the content of the dispatch directly, except to say that he feels the council should be informed before it goes to Italy, this response sparks Wolsey to reply: Would you tell the council? Yes, I believe you would. You're a constant regret to me, Thomas. If you could just see facts flat on, without that moral squint; with just a little common sense, you could have been a statesman. (Bolt 10) More's non-committal response to Wolsey's question is also characteristic of his desire to be silent for the remainder of the play and, despite Wolsey's continuing plea that he should ignore his "own, private, c ...