... disposition, character, and temperament. She is successful in establishing this by portraying innate qualities in both Elizabeth and Darcy. Elizabeth has a natural sagacity; she is able to examine situations, affairs, and relationships intuitively and with remarkable perspicaciousness. For example, in Chapter four when Elizabeth expresses her discontent with the manners and the seeming character of the Bingley's sisters, Jane defends them but," Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and wit ...

... tone to describe the power of nature and more specifically the wind. Shelley’s reference to the wind, as the “sister of Spring” and a “Maenad,” shows how the wind is like a woman, spontaneous and free, with the liberty to be a gentle soul or a vicious amazon. He sees the wind with wonderment, and at the same time respects it and or even fears it. Shelly not only uses tone to depict his conception of nature, but he goes on to use personification to characterize the strength and vigor the wind possesses. He gives the wind human characteristics by referring to the wind as “her” and “she.” For example, “ ...

... for such drastic measures by saying, “…I—I’m sorry about this new baby, Walter. I guess maybe I better go on and do what I started… I guess I just didn’t realize how bad things was with us… I guess I just didn’t realize.”(87) Ruth is going to destroy this baby because she feels that she and Walter just do not have enough money to support another family member, and feels that she and Walter will only bring the baby into a world of fighting. Beneatha also has influence on Ruth’s decision by asking, “… where is he going to live? On the roof?”(58). Beneatha feels that if Ruth has another baby it would just complicate the living situation, which is strenuous enough as i ...

... us unless its in there interest or benefit to do so. Paine states that when the British fought off Spain and France, it was to protect Great Britain’s interest not Americas. He states this because if America was not benefiting Great Britain with trade and money or anything else; the British would not protect America. Paine’s third point is the fact that Britain is a monster. In this point he states that England brings tyranny to America because of the persecutions of emigrants that came to America in the first place and that Britain still pursues the descendants of the first emigrants. In Thomas Paine’s second point he states that the Br ...

... away and another tells of the neglect that her younger daughter has had to face. Because of this guilt, she almost paid for it with her life. However, the stages that her mind her took through with coming to terms with her involvement in Beloved’s murder, her redemption of that burden, and near madness were the elements that helped to guide her through the guilt. From the redemption of her guilt, Sethe has learned that when a branch of her tree has weltered a little, which means that her family bond is not as strong, the tree does not die, because it has a strong root. A root that represents all of the sorrow’s of her life, but she is still s ...

... battle among the black race consists not only of physical trauma, but emotional trauma as well, for the boy believes he is somehow not connected to the black race. As he waltzes into the hotel, the boy feels as if he is on a higher level than his fellow black men because he is educated, and he says of his racial equals, "I felt superior to them in my way, and I didn't like the manner in which we were all crowded together into the servants' elevator"(175). The boy undergoes a realization that he is, in fact, not a Booker T. Washington as he plans to be in life, but merely a common black man who is in disagreement with his own race. He comes to this realization ...

... He is very poetic and also uses lots of adjectives. And William Bradford he was a very simple writer, and always wrote things to the point. He never wanted to make anything not simple, he always wanted the reader to understand what was going on in the story instead of being lost. John Smith's purpose in writing this work was to make himself look like a hero, to make people come to the new world. In John Smith's work he always made fun of the Indians like he was the greatest one then everybody. William Bradford's purpose in writing was to teach people. He directed them how to set their corn, where to take fish, and to procure other commodities, and was also t ...

... are the obstacle that prevents happiness. Old Gobbo, who is Launcelot’s blind and feeble father, expresses physical and mental blindness when he approaches Launcelot and surprisingly asks him, “Master young man, you, I pray you, which is the way to Master Jew’s?” (Pg. 21, lines 29-30) for he was looking for his son, Launcelot. Surprisingly Old Gobbo did not know that he was speaking to his son. Old Gobbo is nearly blind, which is the physical part of the blindness, which was one of the reasons why he unable to recognize Launcelot’s features. He is also mentally blind because a father should recognize his own son’s voice. Laun ...

... laid down by three revolutions – The American, French and Industrial. The American revolution had started in 1776 when the thirteen colonies had declared their independence from Britain, and ended after seven years of war with British recognition of that independence in 1783. The fall of the Bastille in July 1789 is the moment when the French Revolution struck British consciousness. Coleridge was only 16 at the time and celebrated the event soon afterwards in ‘Destruction of the Bastille’. Soon followed in successive events was Britain’s war with France beginning in 1793, The Reign of Terror in 1793-4 and Napoleon’s coup in 1799. ...

... marriage is a business deal and love is not relevant to such matters, he further explores other options to the current contractual view. To this end, he introduces the notions that people who marry should have a solid commitment to one another as well as great respect for each other. Furthermore, he introduces us to the idea that people in love communicate, sometimes at high decibels. He challenges us to look at the difference between reality and play-acting, specifically in the way courtly love distanced itself from the reality of real love. Claudio and Hero demonstrate the conventional play-acting of love. They do not know one another well, and because of t ...