... traits is not tolerated by her society. Ibsen employs a reversal of traditional gender roles within Hedda and Jorgen Tesman's marriage to emphasises Hedda's masculine traits. Hedda displays no emotion or affection towards her husband Jorgen. This appearance of indifference is a trait that is usually common to men: Tesman - "My old morning shoes. My slippers look!…I missed them dreadfully. Now you should see them, Hedda." Hedda - "No thanks, it really doesn't interest me'. In another gender role reversal, Hedda displays a financial awareness, which her husband, Jorgen does not posses. Although Brack corresponds with Tesman about his honeymoon travels, he corresponds ...

... it is St. Agnes Eve (118). If he did deliberately come to Madeline on the Eve of St. Agnes then the reader would understand that he did so to manipulate her. However, because this is not the case, the reader cannot assume that conclusion. It is true that Porphyro seeks Madeline out and comes to her home pining after her. However, the text provides clues that this behavior is not due to deceitful intentions, but to Porphyro’s honest feelings for Madeline. For example, upon his entrance in the poem, he “implores all saints to give him sight of Madeline…that he might gaze and worship all unseen (lines 77-80).” It is immediately clear th ...

... a challenging mission. His goal there was to help the Indian tribe in every way possible. The Bishop’s ulterior motive was to help Mark grow as a person. He does not tell Mark about his illness because he wants him to get involved and attached to the Indians. Mark meets new people and learns all about the Indian cultures, traditions, and rituals. He had to overcome many great difficulties in order to help and convert these proud, Kwakiutl native people. The old ones were unreligious while the young ones had little respect towards the old people and the old ways of life. His first problem was trying to be accepted into this struggling primitive community, whic ...

... immaturity; it then causes him to do things, such as kill Polonius, that a person that was mature could stop. The madness that Hamlet assumes is understandable but he can never get over the actual death of his father by still wearing black a year later, and the hasty marriage of his mother to Claudius. Compared to Horatio who is calm and cool throughout the play, and Fortinbras who collected an army to fight for his uncle’s land and honor, Hamlet’s maturity level for his time is low, especially for being a prince. Today Hamlet’s age group is more immature than during his own time so he relates to the youth of the 1990’s b ...

... his face but had forgotten about his throat" (596). This indicates that Friend is not of human race, and he is using the mask to cover his face and shield his true identity from Connie. Also, Arnold's boots "must have been stuffed with something so that he would seem taller" (596-7). The fact that Friend is short could mean he is an elf or dwarf-like creature, or it could merely mean that he is trying to be something he definitely is not. Besides physical characteristics, the devilish nature of Friend is depicted through his subtle ability to manipulate Connie. When they first meet, Connie is apprehensive of Arnold. Through manipulation, charm, and possibly a s ...

... literature – the art of language - and psychoanalysis. Searching the database of the Modern Language Association for articles about the use of psychoanalysis for understanding Ralph Ellison’s yields one article by Caffilene Allen, of Georgia State University, in Literature and Psychology in 1995. Thus, further study of this subject seems warranted. As Allen points out, "Purely psychoanalytic interpretations of are rare, even though Ellison clearly threads the theories of at least Freud throughout his novel."(2) Because of the rarity of psychoanalytic critiques of , this paper will examine the character of the in the Prologue and Epilogue of Ellison’s maste ...

... hair, down his nape and low on his forehead, seemed to suit his gloomy face and made what had seemed at first an unsociable remoteness into something forbidding." Roger was an authoritative big'un that didn't seem to care about the consequences of his actions. Not only was his appearance gloomy, but his personality tended to be as well. "Roger, uncommunicative by nature, said nothing." His physical appearance led the reader to believe that Roger was a completely corrupt character, inside and out. Roger seemed civilized near the beginning of the novel. Even though he was civilized, he still had the tendency for evil. While he threw rocks at Henry, he aimed to miss ...

... strengthens and gathers the courage to defy Zeena and confess his love for Mattie. At the start of his journey, Ethan surrenders himself to the forces of isolation, silence, and his depleted life. Soon his desire for love, in a situation where only abject coldness exists, transforms him into an emotional and confident man. Because of his emotional weakness, Ethan loses opportunities to reveal his passion to Mattie and also acquiesces to his wife's demands, while shunning out his own needs. After suffering so long with the sickly Zeena, Ethan fears unveiling his passionate feelings to Mattie, for he is bound as a husband and tradition to Zeena. Years earlier as a ...

... and with no other motive in mind than glory, he cunningly stole fire from Zeus and gave it to a grateful mankind. Prometheus’ trickery was bound to invite catastrophe. Zeus’ retribution was swift and twofold. Firstly, with the help of Hephaestus, Hermes and Aphrodite, he fashioned out of clay the first woman, Pandora. Thereafter, men would no longer be born directly from the earth; now through women, they would undergo birth by procreation, and consequently old age, suffering and death. She was given a box which contained all manner of misery and evils and was responsible for letting them escape, to torment humankind forever. Secondly, Zeus caught Prometheus, ch ...

... at matchmaking show that in her society, marriage is held in high regard. It is a person's personal worth and the transfer of family fortunes that occurs during a marriage in this time that is probably the most important factor, not how the couple gets along or likes each other. Austen plays on this social behavior and seems to be making a statement. Therefore, I believe that is a social satire. The language of is astonishingly simple and the verbiage frugal, especially for the period in which it is written. There is no drastic action or heroic characters; however, Austen convincingly 1 develops character with it, and her characters, each with their own dialogu ...