... of the stairs, she from a step just above the landing. Significantly, they don't come together on the architectural bridge and, when the poem concludes, readers are not assured that this marriage will regain the closeness it might have had prior to the child's death. The highly dramatic poem underscores the impact of loss and the need for communication or discussion of loss by those involved. When no reconciliation occurs, the loss intensifies to become destructive.In the poem “Home Burial”, Robert Frost talks about a couple in the verge of breaking up. I believe that the main issue in this poem is the death of a child that has not been addressed by the paren ...

... then on they go past fields. She sees the sun go down, and the carriage driver past the sun, but she realizes they weren't passing the sun, it was passing them; time was passing by, past her life. Her life has now past her by, and she is arriving at her final destination, which was her grave, yet she describes it as her house. In the end she is looking back, and sees how centuries have passed, yet she isn't passing by anymore, and to her this hundred years seems as no time at all. Finally she accepts her death, and is able to pass into eternity. To her death wasn't harsh like some see it, but a kindly, gentle soul, taking her for a carriage ride to her final ...

... think aloud to reveal their nature 1. Quant views himself with false admiration 2. Malin examines the theoretical nature of man 3. Rosetta endeavors to create an imaginary and happy past 4. Emble passes his youthful judgment on the others' follies V. First act of Part II, "The Seven Ages" A. Malin's domination of this act 1. Serves as a guide 2. Controls the characters through his introduction of each age B. Others support Malin's theories by drawing from past, present, and potential future experiences C. The ages 1. The first age a. Malin asks the reader to "Behold the infant" b. Child is "helpless in cradle a ...

... number of stanzas in each poem. Three and seven both seem to have a particular significance in life. There are triunes in religion, (Father, Son, Holy Spirit,) science (energy, matter, ether,) spiritualism (mind, body, spirit,) and psychiatry (superconscious, conscious, subconscious) to name but a few, while nine is the number of months in a human pregnancy (divided into three trimesters). Sevens also occur frequently: there are seven cardinal virtues; seven deadly sins; seven ages of man; seven days in a week and seven seals in the book of revelation. Although the range of emotions is spread between the poems, they do seem to follow a linear course as the seque ...

... school where children played ,We passed the the fields of blazing grain," shows her use of Idealisation of Nature.Bryants whole poem is Idealisation of nature, by choosing but one sentence would be cutting the poem short.By both authors using the same romantic element is just another example of how they are similar. Thanatopsis and Because i could not stop for Death,are somewhat dissimilar , for instance when in Dickinsons poem when she says "We slowly drove he knew no haste," she is referring about death taking her away and she sees everything on this journey.william Cullen Bryant however sees Death a little different ,like in his poem when he says " ...

... are taken elsewhere. We are slaves to death because everyone will die. The fifth stanza says that there are things that cause death that no human can control or stop. War, sickness, and poison are just a few. In the sixth stanza he says why should people gloat about death if know man has control over death? Why should you have pride about death? In the final stanza he says that our lives are but a short sleep compared to the eternal live we have after we awaken from that sleep. Once we die the soul is alive and death no longer presides. We are brought into eternal life. Death can no longer take us because it already has. Meditation 17, by John Donne Th ...

... images and metaphors of the sonnet make extensive use of nature, realistic setting. The idea for the poem sprung from Wordsworth's initial reaction to the state of London upon his return from France: ...(this was) written immediately after my return from France to London, when I could not but be struck...with the vanity and parade of our own country From this account it can be deduced that the poem was spontaneous in nature and originated from an internal response. The poem's use of a realistic setting occurs in line 2 with the reference of England as a "fen." This particular adjective e describes England a ...

... the power and beauty of nature. It is, however, in the final third of the poem where the narrator reveals his true thoughts to the reader, bringing resolution to the poem as a single entity, not merely a disharmonious collection of words. At the outset of the poem, the narrator gives a very superficial view of himself, almost seeming angered when one of the tramps interferes with his wood chopping: "one of them put me off my aim". This statement, along with many others, seems to focus on "me" or "my", indicating the apparrent selfishness and arrogance of the narrator: "The blows that a life of self-control/Spares to strike for the common good/That day, givi ...

... that we take this great gift for granted. So, he asks "Dost thou know who made thee?" So God created man in His own image; in the image of God he created him; male and female, He created them. Genesis 1:27 Anyone who has seen a lamb knows that it is a weak creature; unable to protect it's self from the strength of an evil predator. If we are the Lamb, then we must rely on the protection of our Shepherd, God. Why would Blake call us a Lamb then? Aren't we stronger than any other animal upon this earth? I think that God would tell us "No," for it is He who gives us life strength, as Blake says in the next few lines… Gave thee life & bid thee feed, By the stream & o're ...

... a woman by the name of Clodia. Through what we know of and the times that scholars can gather from the time period in his poetry, it is assumed who the real woman is. This conclusion came from his poem #79, Lesbius est pulcer. In that poem he accuses Lesbia of incestuous relations with her brother, Lesbius. The name Pulcer is a pun on the real name of Clodia’s brother, P. Clodius Pulcer. Pulcer was known not only for being a violent politician, but was also rumored to have had incestuous relations with one or more of his three sisters. All three sisters, including Clodia, were known to not have strong moral characters and acted out of the class they wer ...