... of the spiritual soul floating in the breeze yet at the same time connected to the common world of laborers, thieves, and lovers. Both poems, therefore, see the need for man to be aware of both his earthly and spiritual worlds and to achieve a balance between the two that elevates and defines him as a creature of God. Robert Frost and Wilbur Richard rely on good word choice to exemplify their common theme. Frost's "Take Something Like a Star" sticks with the word star to represent God. All of the adjectives that Frost uses to describe the star also go hand in hand with God. In the Poem "Love Calls Us to the Things of This World", Wilbur uses laundry on a ...

... upon his life and “how my light is spent,” or the time he had his sight. Milton then expresses the feeling of the “dark world and wide” of the blind as his introduction to his questions. He begins to question his writing that only death can take away (“...one talent which is death to hide..”), “ lodged... useless” within him because of his new blindness. As a result, Milton begins to question God, “Doth God exact day-labour, light denied?” Milton wonders as to the meaning of his blindness; Does God want him to continue to write, even with his blindness, or what does God really mean? At first his tone seems harsh, but his feelings are redirected as he answers hi ...

... You know how little while we have to stay,/ And, once departed, may return no more." There's several refrains to this throughout the poem, first in the seventh stanza: "Come, fill the cup. . ./ The Bird of Time has but a little way/ To flutter-and the bird is on the Wing." The entire ninth stanza describes the summer month "that brings the Rose" taking "Jamshyd and Kaikobad away", and so forth and so on ad nauseum. Again, in the fifty-third stanza: "You gaze To-Day, while You are You-how then/ Tomorrow, You when shall be You no more?" The poet seems to be in an incredible hurry to get this life going before some cosmic deadline comes due, and more than willi ...

... does this to depict the vast difference between the two. The Bible is a religious book that millions read and tend to believe in. It is religious dogma which church officials expect one to believe as the truth. Science fiction is an eerie subject in which there is no proof and which many also believe. The two are very separated in their ideals because they both have a completely different set of beliefs. They are both very mysterious things that lack conclusive proof. Updike’s experience at the end is somewhat religious because he is completely awed by something so mysterious (the birds). Next the author’s organization of the poem also contributes to the cl ...

... before it woo, And pamper'd swells with one blood made of two, And this, alas, is more than we would do.(5-9) This stanza also says that the flea enjoys the mixing of blood which is referred to as sex. It is the authors comment that they have intercourse within the flea but that is more than the two of them do together. Saying to her that this would not be adultery suggests that she has a strong faith and is ethically bound to abide by the principals of her religion. His argument is to put down the religion by saying even the flea is mixing our blood, so why shouldn't we? That suggests that the flea is one of God's creatures and so it should follow the pr ...

... explain that the situation has another perspective, which is a negative one; “We never do work when we’re ruined” (16). The narrator life is not wealthy, it can be understood by “you left us in tatters” and so she looks up with jealousy to her friend who has managed to change and to become a part of a higher society “high compa-ny” (11). Far more, there is a reference to not-knowing melancholy, and yet she defends that with “one’s pretty lively when ruined” (20), which contradicts with the melancholy tone of the poem, to some extent. The recall of the conversation between the two girls comes to a climax when the narrator describes her fantasies as being like the o ...

... "Fern Hill," and "The Force that Through the Green Fuse Drives the Flower," he uses different techniques and language to make each poem more effective to the reader. Thomas' poem "Do Not Go Gentle into that Good Night" is addressed to Thomas' father, giving him advice on how he should die. The poem is a villanelle, which is a type of French pastoral lyric. It was not found in English literature until the late nineteenth century. It derives from peasant life, originally being a type of round sung. It progressed throughout the sixteenth and seventeenth centuries to its present form. For Dylan Thomas, its strictly disciplined rhyme scheme and verse format pr ...

... this poem in which Don uses the word "Mourning." You could interpret this as that he is about to leave and doesn't want his lover to be sad, but it also conveys the message that when the morning comes it will be a time for them to part. Therefore, I ask, "aren't we all guilty at one point or another while in a love relationship of trying to convey a message to a loved one and they in turn have misinterpreted that message?" The poem begins "As virtuous men pass mildly away, And whispering their souls to go." Here the persona is trying to convey to his lover that she should deal with his leaving as though it is a death. Not a death in which she should be sad, but of a ...

... e."(im" à "mortals)" 3.Images - circularity of poem C.!blac 1.Theme a.‘!' and its results b.Cummings' comment c.‘.g' at end 2.Syntax a.less free verse than one may first think 1.four and one line altering stanzas 2.lone consonants forming a sort of rhyme themselves 3.trees & agains; (whi) & sky; te, rees, & le b.falling of a leaf 1.the whole poem's syntax 2.line and word spacing 3.IrlI ...

... To Autumn and on a Grecian Urn. In the Ode to a Nightingale, it is the ideal beauty of the Nightingale's song - as permanent as nature itself - in the Ode on a Grecian Urn, it is the perfection of beauty as art - transfixed and transfigured forever in the Grecian Urn - and in the Ode to Autumn it is the exquisiteness of the season - idealised and immortalised as part of the natural cycle - which symbolise eternal and idealistic images of profound beauty. In Ode to a Nightingale, Keats uses the central symbol of a bird to exemplify the perfect beauty in nature. The nightingale sings to the poet's senses whose ardour for it's song makes the bird e ...