... then she sees a fly: “Signed away What portion of me be Assignable-and then it was There interposed a Fly” (9-12). I interpret this statement to say that she has closed out all that was her life, and is ready to pass on, when the presence of a pesky fly seems to catch her attention. The introduction of this fly - a part of the world she has closed out - signals that her life is not quite complete. Perhaps she has not succeeded in gaining final closure. There comes a time in life when it is necessary to conclude that the focus of existence is complete and decide what to do with the times that follow. The speaker considers the time following this conclusion ...

... of the poem is always present with the sea and all of the other things that are happening around the poem. He talks about the winds and the water when setting the mood. This poem was written in order to save the mighty ship in writing this poem he accomplished two things. That was he saved the ship from its end and it made his poem an masterpiece. As you can see Oliver Wendell Holmes Old Ironsides was not only a success for him but also a success for the battleship. This poem was written in such a way that people like me 100 years later can still see the point that he is trying to show us. This was one of the things that the Fireside poets were known for, w ...

... Hear the voice of the Bard! Who Present, Past, & Future, sees; Whose ears have heard The Holy Word That walk'd among the ancient trees, Calling the lapsed Soul, And weeping in the evening dew; That might controll The starry pole, And fallen, fallen light renew! "O Earth, O Earth, return! "Arise from out the dewy grass; "Night is worn, "And the morn "Rises from the slumberous mass. "Turn away no more; "Why wilt thou turn away? "The starry floor, "The wat'ry shore, "Is giv'n thee till the break of day." ...

... in. Finally, the use of "optimum time" plays on her emotions of how sweet the opportunity to make love to her would be. Marvell tells his mistress that the act would be almost animalistic and intense. Throughout the poem, he uses the phases of time in an attempt to frighten her into having sex with him. All three stanza's in the poem represent a different time frame. The first gives his mistress a feeling of unconditional love. He leads her to believe he would give all he has to her as long as time will permit. During the second stanza, Marvell plays on her fear of getting old. He warns her that her beauty isn't everlasting and that she will e ...

... to draw near the “Curious Wine”. I see the “Curious Wine” as wealth, in terms of money. This is due to many reasons, one being that wine as an intoxicating effect on people; as does money. Wine is also a drink of richer people, who would (in most cases) have more money then her. Also because wine is curious, in flavor as well as in its bubbly ways, as money is to those that do not have it. In the second stanza it seems she speaks of what she was thinking as she touched the “Curious Wine” “’Twas this on Tables I had seen” tells of how she had seen wealth often, so her hunger was not for the unknown but the inexperienced. “Windows” tells of how she knew the wealth. ...

... that the creator of the lamb is also calls Himself a Lamb. With this he brings religious significance into the poem. It the New Testament, Jesus of Nazareth is referred as God's Lamb. There are a few themes developed in "The Lamb." Blake describes the lamb as symbol of childhood innocence. He also questions about how the lamb was brought into existence, which mentions another theme of divine intervention and how all creatures were created. The poem is nothing but one wondering question to another (Harmon, p. 361). "The Tiger" by William Blake describes the tiger as being an symbol of evil. This is displayed when Blake says "What an anvil? what ...

... mythology: “her journey to Pulotu has no dawn.” (p109) Pulotu is the spirit world in Polynesian mythology. In ‘The Mountains of Ta’u’ he draws on the famous legend of Maui: “like spinning tops or Maui’s endlessly / inventing mind.” (p110) Maui is an important part of Polynesian mythology; Maui is a demigod who is used to tell of many stories. There are also reflections of Polynesian cultural inheritances in Hone Tuwhare’s use of mythology in his poetry. Tuwhare was born in Kaikohe, and belongs to the Ngapuhi hapus Ngati Korokoro, Ngati Tautahi, Te Popoto, and Uri-O-Hau. In his poem ‘Papa-tu-a-nuku’, he uses Maori mythology. The title, ‘Papa-tu-a-nuku’, means ‘Ear ...

... breaking that is burdened on the bark. The breeze causes the ice to move and crack certain parts of the bark, creating the crackling effect. "As the [ice] stir cracks and crazes their enamel." He also compares this image to that of breaking glass and compares it to the "dome of heaven" shattering. I enjoy how he offers such different interpretations for the appearance of the bark. My personal favorite is the shattering of the dome in heaven. I think this creates a vivid image for the reader. He goes on to say that once the branches are bent, they never return completely upright again, but they are so flexible that they never break. “You may see their trunks archi ...

... approaches find the meaning of the text in the relationship of its images to other texts" (40). Riffaterre argues for a more internal reading of the poems. Riffaterre emphasizes the importance of the relationships between words as opposed to their "corresponding realities" (40). For example, he states that the "flower or the fruit is a variant of the worm's dwelling constructed through destruction. Thus, as a word, worm is meaningful only in the context of flower, and flower only in the context of worm" (41). After Riffaterre's reading and in terpretation of the poem, he concludes that "The Sick Rose" is composed of "polarized polarities" (44) which convey the cen ...

... use of separate methods to influence their loves. Through comparing and contrasting the context in which the invitations occur, what each speaker offers, and the tone of each speaker, these differing methods can be understood. The "Passionate Shepherd" is set in a romantic, natural backdrop in the seventeenth century. In this rural setting the Shepherd displays his flock and pastures to his love while promising her garlands and wool for weaving. Many material goods are offered by the speaker to the woman he loves in hopes of receiving her love in return. He also utilizes the power of speech to attempt to gain the will of his love. In contrast, the poe ...