... complexity of motives. For example, his fighting in Duncan's service is magnificent and courageous, and his evident joy in it is traceable in art to the natural pleasure which accompanies the explosive expenditure of prodigious physical energy and the euphoria which follows. He also rejoices no doubt in the success which crowns his efforts in battle - and so on. He may even conceived of the proper motive which should energize back of his great deed: The service and the loyalty I owe, In doing it, pays itself. But while he destroys the king's enemies, such motives work but dimly at best and are obscured in his consciousness by more vigorous urges. In the main, as we ...

... on three sides by the audience. Except for the backdrop which would have some element of scenery, the stage itself would be bare apart from a few scenic elements and props. Othello, like most of Shakespeare's plays, had what is called an abstract setting. That is a setting in which the locale may change rapidly, it may not be indicated by the script that it has changed, and was most likely suggested by a few props. Abstract settings place more emphasis on the language and the performer, which causes the spectator to use their imagination. It also places more emphasis on costuming. This type of setting helped set up the style of representational theater, ...

... of levity [yet] he is stained with no enormous or sanguinary crimes, so that his licentiousness is not so offensive but that it may be borne for his mirth." Johnson makes three assumptions in his reading of the play: 1. That Falstaff is the kind of character who invites a moral judgment mainly that he can answer to the charge of being a coward. 2. That you (the reader) can detach Falstaff's frivolity from the play and it can exist for its own sake apart from the major theme of the drama. 3. That the play is really about the fate of the kingdom, and that you (the reader) do not connect Falstaff's scenes with the main action. This means that t ...

... things about L’Atalante that I did like. The photography of the underwater scene was nicely done. I thought it was pretty advanced considering when the film was made. The first mate’s tattoos were cute. (Although they were seemingly shoddily drawn on with magic markers.) I appreciated the actors too. The were good at what they were supposed to do. Even though these few things made L’Atalante almost bearable, I didn’t especially like it. Breathless, on the other hand, held my interest. There was a definite plot as well as plenty of action and romance. I also enjoyed it because I had the feeling that everything I would need to know about the characters was ...

... the masque functions as a dramatic device which initiates the love plot. It occurs in a social gathering, but not without the help of costumes. If it were not for costumes the result of love might have been drastically different. How was the masque used to get lovers together? In the case of Romeo and Juliet, Romeo hears about the masque and decides to go, thinking that he might be able to get away with this scheme. Upon entering he sees Juliet and right away, he knows it is love. If he had not worn the costume, the hosts might have ejected him from the party and he might not have met Juliet. Much Ado About Nothing has a similar but also different approach towards ...

... to get to Brutus because he “sits high in all the people’s hearts.” (a1 s3 L157) Cassius goes out of his way to tell Brutus of Caesar’s weaknesses and faults. He eagerly plays upon Brutus’ words as they come from his mouth. Cassius proved himself manipulative in getting Brutus to join the conspiracy. Decius manipulates Caesar’s thinking into leaving the safety of his home. Each reason Caesar brought up to stay in his home, Decius gave him an explanation in which he should forget them and go to the capitol. Primarily, Caesar’s reason was his wife, Calphurnia, whom had “dreamt...she saw [his] statue...which[ran] like a fountain with...pure blood.” (a2 s2 L78) ...

... with a member of the enemy could result in being looked down upon in your family, cause even more anarchy between the two families or possibly banishment from your house. They are victims of this because if their families did know of this marriage, they would have had no reason to cover up or hide anything, and there would have possibly been peace between the two families. Evil fate played a major role in the lives of Romeo and Juliet because of all the things that could have happened differently, the events that transpired just didn't flow in their direction. A few of the malignant fate situations were the servant asking Romeo to read the invitation list and i ...

... makes several appearances in the play. It first appears to the watchmen, Marcellus and Bernardo, along with Horatio near the guardsmens' post. The ghost says nothing to them and is perceived with fear and apprehension, ³It harrows me with fear and wonder². It is not until the appearance of Hamlet that the ghost speaks, and only then after Horatio has expressed his fears about Hamlet following it, ³What if it tempt you toward the flood, my lord, or to the dreadful summit of the cliff². The conversation between the ghost and Hamlet serves as a catalyst for Hamlet¹s later actions and provides insight into Hamlet¹s character. The information the ghost reveals ...

... this test of love which causes Lear to banish his most beloved daughter Cordelia. When asked how much she loves her father, Cordelia replies that she loves him according to her bond, no more nor less . This response angers Lear and causes him to ban her for her refusal to comply. Lear is held to the belief that she does not love him. He believes that the daughter which had loved him the most (and who he loved the most) has broken his heart. He is suspicious and bans her because he thinks that she is the only daughter who doesn't love him. It is Lear's rashness which prevents him from seeing that she is speaking the truth. It is the same rashness which leads ...

... these qualities more than her husband, and because of this, in a sense, wishes to shed her womanhood. We can see this ruthless nature more in depth in the quote “I would, while it was smiling in my face,/ Have pluck'd my nipple from his boneless gums,/ and dash'd the brains out, had I so sworn as you/ Have done to this” (I,vii,56-59) She is obviously a very bitter female, frequently referring to her role as a woman, both physically and emotionally in negative ways. In the above quote, Lady Macbeth is commenting on her husband's lack of gall, stating, that quite frankly, she would make a better man than he. Although still a very strong woman, we ...