... cancer and many other issues that deal with everyday life, and touch the lives of people from every walk of life. She shares personal feelings, laughs and cries with her guests. Her shows have a powerful and positive influence on her audience. Most any age group can usually view the material contained in her shows; or she warns of the material that may not be suitable for young audiences. Jerry Springer, on the other hand, hosts a talk show that relies on issues that deal with sex or scandal, with topics such as cheating spouses, sexual triangles, and lying friends. Many of his guests use colorful, vulgar language and many times the show erupts in a violen ...

... Carl Lee Hailey (Samuel L. Jackson), runs out of a closet with a gun and shoots the two men and a cop. The two men die and the cop has his leg amputated. This sets off the main plot of the story. Hailey gets Brigance to defend him for virtually nothing. During a courtroom scene, Eileen Roarke (Sandra Bullock, in a surprisingly small role for having top billing) helps Brigance to get the trial moved to another town. Unfortunately, the judge (Patrick McGoohan) decides against moving the trial. Brigance needs to get a jury of young, married men with children. What does he get? A jury of women and old men. So Brigance has his work cut out for him, especially when ...

... 3, Scene 4 line 28). Consequently, Hamlet consumed with rage automatically thrusts out attempting to kill Claudius, but instead strikes Polonius. Hamlet’s and Laertes’s imprudent actions are incited by fury and frustration. Sudden anger prompts both Hamlet and Laertes to act spontaneously, giving little thought to the consequences of their actions. Hamlet and Laertes share a different but deep love and concern for Ophelia. Before his departure for France Laertes provides lengthy advice to Ophelia pertaining to her relationship with Hamlet. Laertes voices his concern of Hamlet’s true intentions towards Ophelia and advices her to be wary of Hamlet’s love. Laertes i ...

... Nora does rebel against this small rule: “See here, macaroons! I thought they were contraband here” (979). Nora is eager to make decisions on her own, without other people trying to help her. Society dictated at the time that she listen to her husband and obey. Borrowing money from Krogstad was not only a disobedience to society, but a personal freedom. A personal freedom that she had craved for all of her life. Torvald just about is what society expects of him. Torvald runs his household with an iron fist. He is this way most likely because he is afraid of what might happen if he did not do what the world expected him to do. He wants society to see him as ...

... again. Travis says that she's just like the others, meaning just like all the other women. In order to take revenge, he tries to assassinate Palantine in front of her. "The other" also appears as gangsters in the movie. Travis, in order to eliminate them, becomes a criminal just like them. Therefore in "Taxi Driver",we see two good examples of "The Other". In "Taxi Driver" we see that Travis Bickle still has an identity forming problem, or I might say that he has unconsciously formed an identity during his childhood, but he's trying to find it. It was his curiosity about his identity that was giving him problems to sleep. Basically, his identity should be formed b ...

... just a woman for companship. Greg calls Rose on the telephone and the two decide to have dinner as friends. They adore each others companship and start to spend more and more time together as best friends. They become extremely flexibly enmeshed and are very compatible with each other. As time passes and they grow closer to each other they decide to get married by the justice of the peace. Roses mother who is dependent on her objects to the idea and thinks the marriage is wrong. She uses plenty of guilt trying to persuade Rose not to marry Greg. The marriage takes place and the Rose moves into Greg's apartment where their are separate twin beds for Rose and G ...

... it seems a good way of evaluating The Wizard of Oz is by Dorothy's process of growing up, her maturation. Also, since Dorothy's adventure to Oz is clearly in the form of a dream, it seems a good way of analyzing Dorothy's maturation is by looking at this dream compared with real ones, and using modern dream analogy from the Freudian perspective. The act that spurs the entire action of the movie, according to Freudian Daniel Dervin ( Over The Rainbow 163 ), is Dorothy witnessing the "primal scene". The "primal scene" refers to a child witnessing sexual intercourse between mother and father; an moment that is both terrifying and confusing to the child. According to ...

... 1) Life in Hell drew the attention of James L. Brooks, producer of works such as Taxi, The Mary Tyler Moore Show, and Terms of Endearment. Brooks originally wanted Groening to make an animated pilot of Life in Hell. Groening chose not to do so in fear of loosing royalties from papers that printed the strip. Groening presented Brooks with an overweight, balding father, a mother with a blue beehive hairdo, and three obnoxious spiky haired children. Groening intended for them to represent the typical American family "who love each other and drive each other crazy". Groening named the characters after his own family. His parents were named Homer an ...

... being very annoyed, then Hamlet might be called mad. If, on the other hand, madness is having complete loss of reason, not sane, then Hamlet’s spoken thoughts alone prove him to be sane. By his own words, Hamlet is feigning, and it is that his pretend madness is never assumed except in the presence of the king or those whom he considers the king’s agents (Hankins 127). The train of events from the death of his father to the revelation of the ghost has profoundly disturbed Hamlet. He realizes it himself and fears that the excitement within him may betray his secret. He knows well that it is beyond his power to suppress it altogether, and so he pretends to be ...

... for comfort, is told to forget Romeo and marry Paris. She couldn*t believe her ears. Her bewildered "Speak*st thou from thy heart?" (III.v.134) This is answered almost casually by the Nurse "And from my soul too, or else beshrew them both". By now, Juliet is slowly forced into maturity by the series of disasters which have occured. She is now showing determination and courage to enable her to hide her anguish, and talk calmly with Paris at the Friar*s cell. Juliet is forced by a series of crises to grow up rapidly, and we can see her gathering strength to face each one. The pain of Romeo*s banishment is immediately succeeded by the horror of her father*s pla ...