... complexity of motives. For example, his fighting in Duncan's service is magnificent and courageous, and his evident joy in it is traceable in art to the natural pleasure which accompanies the explosive expenditure of prodigious physical energy and the euphoria which follows. He also rejoices no doubt in the success which crowns his efforts in battle - and so on. He may even conceived of the proper motive which should energize back of his great deed: The service and the loyalty I owe, In doing it, pays itself. But while he destroys the king's enemies, such motives work but dimly at best and are obscured in his consciousness by more vigorous urges. In the main, as ...

... his foul and most unnatural murder".(Shakespeare , 383) This is the beginning of Hamlet's evil role in the play. Hamlet Is a duel character in the play however, being the hero of one plot and the villian of another. He is the hero by avenging his fathers death, while being the villian by killing Polonious and causing Ophellia's insanity. Her insanity being caused by Hamlet's murder of her father is proven when she sings "He is dead and gone lady, he is dead and gone, at his head a green grass turf, at his haed a stone." (Shakespeare, 383) Hamlet is also faced with the awareness of evil and longs for death, being disgusted with life. He thin ...

... response, "No, I have heard nothing"(344). Ismene reveals her passivity and helplessness in the light of Creon's decree. Thus, from the start, Ismene is characterized as traditionally "feminine", a helpless woman that pays no mind to political affairs. Doubting the wisdom of her sisters plan to break the law and bury Polyneices, Ismene argues: We who are women should not contend with men; we who are weak are ruled by the stronger, so that we must obey....(346) Once again Ismene's words clearly state her weak, feminine character and helplessness within her own dimensions. Antigone, not happy with her sisters response chides her sister for not participatin ...

... witches' prophecy. Macbeth does not begin to become evil until he is convinced to act on the prophecy by Lady Macbeth. Lady Macbeth is the evil one who poisons Macbeth's mind; although, she is only encouraging her husband to do what she feels is in his best interest. The hero's downfall is his own fault, the result of his own free choice, not the result of an accident or fate. An accident and/or fate may be a contributing factor in the hero's downfall, but are not alone responsible. Macbeth's downfall is entirely his fault. He chose to listen to the witches' prophecy. Banquo heard the same prophecy, but chose not to allow himself to be duped. Macbeth could h ...

... by the arrival of the French ambassadors who bring a reply from the Dauphin to Henry's demand for "certain dukedoms (in France) in the right of his great predecessor," King Edward the third", an insolent message that he "cannot revel into dukedoms there." In place of these territories, he receives an insulting gift of tennis balls. The angry King retorts that he will turn the Dauphin's tennis balls to gun-stones. He expedites his preparations for the invasion. In London, the hostess of the Boar's Head Tavern reports to Falstaff's old cronies that "the King hath killed his heart" and that Falstaff has died of plague. Pistol, Nym, and Bardolph resolve to follow t ...

... to agreement with Antony and then accuse the conspirators of murder. The accused men flee, eventually leaving the bounds of the city, and the citizens leave to loot and burn the houses of the guilty men. The armies of Brutus and Cassius set up camps near another city and knowing that Antony's soldiers are coming, they decide to march toward the enemy at once. The fighting begins with the confrontation of the two sides, as Cassius' and Brutus' armies arrive. Antony and his partner challenge the assassins to fight, and the bloody battle begins. The armies of the conspirators fall into vulnerability many times, and their side does poorly, losing many men. Cassius ...

... relation to nature. Although this is true, each artist has their own act of interrogation. Cole paints himself right into his painting. He wants to be seen by his observers but not at the first instance. He place himself in the woods in the darker half of the painting not on the brighter more open side. Cole is by the river which is painted very distinctly in the shape of a question mark. He is situated on a mountain up in the woods in an apparent storm. Cole places himself somewhat behind the mountain and is positioned to look out towards the audience. Also present with Cole are his tools. Cole’s tool be distinctly placed plays a very important role in one’s und ...

... towards marring Paris and cutting down Romeo, she could no longer put trust in her and wanted nothing to do with her. Throughout her role in the play Juliet showed allot of courage. For instance, Juliet decides to marry Romeo even though their families are enemies. She knows that her parents would never permit the marriage but lets the love lead her way. When Juliet says to Friar Lawrence “Go get thee hence, for I wilt not away....”(V.iii.160) Juliet is telling Friar that you can leave Romeo since he is dead but I will not because I love him. Her Juliet shows courage because she decides to stay with Romeo knowing that there is allot at risk is anyone finds her. ...

... choice first and then the second choice, but only is their first choice is not available. Let's say that the Federal Communications Commission licenses station A in their market. Looking at the viewer preferences, station A would start to broadcast soaps. By show soaps, it would capture a market of 2600 viewers. All viewers would watch because soaps is their first choice or it is their second choice but their first is not available. The FCC then offers a license to station B. After examining the audience sizes, stations B also starts to show soaps. By programming to this audience, it splits the soaps market with station A and both of them have 1300 ...

... the plot and character perspectives are used to convey a political message about the death penalty. (378) The various characters in The Chamber have different traits and backgrounds that affect their perspectives on certain issues. Sam Cayhall is one of the main characters in the story whose background is filled with hate because of his connection with the Klan. "The second member of the team was a Klansman by the name of Sam Cayhall," "The FBI knew that Cayhall's father had been a Klansman, . . . " (Grisham 2-3). Sam, who is brought up under the influence of the Ku Klux Klan, uses "politically incorrect" terms for other minorities when he talks with Adam ...