... we learn from his aside that he has thought about killing Duncan " My thought, whose murder yet is but fantastical" 1(Macbeth 1.3.152). Macbeth also says " If chance will have me king, why, chance may crown me Without my stir." 2(Macbeth 1.4.157-159) which means that maybe he does not have to murder the king to gain that title. Luck has been very generous to him and might continue and make him king. Macbeth's true evil thoughts about being king are first shown when he finds out that king Duncan has named his son Malcolm as Prince of Cumberland. He now shows his evil and his true feelings. " Stars, hide your fires; Let not night see my black and ...

... poses a question for him; therefore, he also thinks about the consequences. It is not which decision Hamlet makes, but the fact that he cannot make any decisions at all. He is nothing more than a compulsive talker and cannot come to a conclusion about what to do. Thus conscience does make cowards of us all, And thus the native hue of resolution Is sicklied o’er with the pale cast of thought, And enterprises of great pitch and moment With this regard their currents turn awry And lose the name of action. (125). Hamlet is contemplating whether it is better to continue living or not, and is stating the positive and negative effects of it. ...

... are introduced to the characters one by one as they arrive. The characters in the film may not live up to their physical descriptions made by Joyce, yet it is not so drastic and is only a mere technicality. At the banister, Aunt Julia and Aunt Kate anxiously await the arrival of their nephew, Gabriel, whom they hope will arrive before the infamous drunk, Freddy Mallins. As one guest after another arrive James Joyce’s prose is eloquently translated into dialogue by director, Hutson and thus, Actresses Cathleen Delany (Aunt Julia) and Helena Carroll (Aunt Kate) create an element of suspense more so than in the words of Joyce. Upon his long awaited arrival, Gabriel ...

... the nature of the press' involvement in political change, one must initially understand the nature of political change in its own right. In this vein, the first section of the paper is dedicated to this investigation. An examination of the motives behind revolution will be given in order to provide a framework for the second part of the paper, which will look at the involvement of the press during revolutionary times in more specific terms. The French revolution of 1789 will be used as a backdrop for this inquiry. There are many different types of political movements, and accordingly there are many different reasons for these movements to occur. Value-oriente ...

... this is the characteristics of an oligopoly. There are many problems when Tucker tries to produce his dream car. Since his car is a new one, he needs to use a lot of advertising to promote it in order to attract people to buy it. Like magazine, car shower, and TV. When Tucker tried to produce his car, he faced many problems. First he had the financial problem he needed $15 million to produce the bomber engine. However, he did not have enough money, so he issued 4 million shares to raise his money. Besides, retooling for a model change could cost $20 million and since his car was a new brand, Tucker was lack of support of the big firms, so he needed a lot ...

... useless and wanton cruelty” (Eastman 181). Ophelia of course, has no idea of the state Hamlet is in. She probably figures his state of mind is caused by her obeying her father’s orders. For instance, Arthur Eastman states: “Hamlet vents upon Ophelia; it is his sense of outrage at Ophelia, that she could place obedience to her father before her love for him” (194). Hamlet does not understand her obedience to Polonius. Therefore, in the Nunnery Scene, Hamlet confesses to Ophelia that, “I loved you not” (3.1.117). He has too much pride and rage to confess his love for her. In essence, “Pretty Ophelia,” as Claudius calls her, is the most innocent victim of Hamlet’ ...

... informed his wife of his prophasies. Macbeth and his lady saw that he is already the Thane of Glamis. For defeating and killing Macdawnold (who is a thane), a traitor to Scotland, Macbeth has just been named Thane of Cawdor and he is viewed as the fiercest fighter in Scotland. The idea of being the next king of Scotland played on Lady Macbeth's ambition. She unsexes herself and becomes evil. They come up with a plan to kill the present king of Scotland, King Duncan. Macbeth had just killed a traitor who rebelled against the king and now he is planning to kill the king! The death of the king is blamed on the king's guards so Macbeth kills them to save his own behin ...

... opinion on issues of state, and debasing political campaigns through smear tactics. "You can make a candidate someone they aren't. You can protect them from someone they are, or make them more of what they are".-Senator Norm Atkins(1) "An election is like a one day sale…the product (candidate) in a sale (campaign) is only available a few hours on one day".(2) The main goal one hopes to achieve by advertising something is to make it marketable so people will purchase it. Since what a politician hopes to ultimately do is persuade people to vote for, or buy, their political platform, they would be foolish to not take advantage of the c ...

... Romeo cries out the he supposedly is fortune's fool. He claims that fate has brought on Mercutio's death, and has lead him to kill Tybalt in revenge. In Act 3, Scene 1 of Romeo and Juliet, Romeo is seen to be upset at Mercutio's death and predicts that the “days black fate on more days doth depend.” (III, I, 118) Tybalt then re-enters and Romeo becomes more upset that Tybalt is triumphant with Mercutio being dead (III, I, 121). As Romeo becomes overwhelmed with Mercutio's death and Tybalt's joy over it, he suddenly declares that either he or Tybalt must die with Mercutio (III, I, 128). Tybalt responds predictably and threatens Romeo (III, I, 129). Romeo ta ...

... whom I trusted , Creon my friend, For this great office which the city once put in my hands unsought-if for this power Creon desires in secret to destroy me" (1245)! Oedipus is now accusing Creon to be plotting to kill him. These illustrations surely demonstrate how quick Oedipus comes to judging and accusing others of very major and treacherous crimes. Oedipus repeatedly and falsely accused others of the crime that he committed, even though unknowing at the time. Even Creon tells him, "You cannot judge unless you know the facts" (1248). Creon tries to tell Oedipus to quit judging him because the facts, to Oedipus, were yet unknown. Another example of Oedipu ...