... the notion that there are no absolute truths or realities. Pinter is therefore concerned with what exists as unknown and intangible to humanity. His theatre interrogates the truth of nature and realities of language and demonstrates that much of what the audience regards as fact is fiction as he explores the uncertainty of human existence. When an audience of the 1960's went to the theatre, it can generally be assumed that they had preconceived ideas about what they expected and what they are going to gain from the theatrical experience. The traditional attitudes towards theatre and the conventions of realist drama are disrupted by Pinter. This confronts the assump ...

... version using actual characters to tell the story of Robin Hood. This significantly changes the stories between the two movies making them quite different. The cartons also aren't humans they are animals, Robin Hood is played by a Fox throughout the movie in contrast with a human actor playing the role of Robin Hood in the Fox version of the film. There is indeed a contrast in characters between the Fox and Disney versions of Robin Hood. Secondly, the Fox film doesn't use narration in contrast to the Disney film using an animated roaster who is a Minstrel to narrate much of the story. This changes the point of view in how the viewer interacts with the storyline ...

... of a play must be able to establish some degree of suspense and dramatic tension. To such an end, Act I is relatively successful. Hedda’s pregnancy is hinted at : directly through Jorgen mentioning Hedda’s “blossoming” twice, and subtly through Hedda’s clothes which are indicated in the stage directions to be “loosely-fitting”, which does not suit her “elegant figure”. The ridiculous reasoning of Jorgen and Hedda’s noticeably strong reaction to any mention of the matter further draws the audience’s attention to the matter. When Miss Tesman declares that she will visit her “every single day” even in the face of Hedda’s disgust and obvious disapproval, the possibility ...

... concerned with what exists as unknown and intangible to humanity. His theatre interrogates the truth of nature and realities of language and demonstrates that much of what the audience regards as fact is fiction as he explores the uncertainty of human existence. When an audience of the 1960's went to the theatre, it can generally be assumed that they had preconceived ideas about what they expected and what they are going to gain from the theatrical experience. The traditional attitudes towards theatre and the conventions of realist drama are disrupted by Pinter. This confronts the assumptions and values of the audience, an experience which would be disconcerting ...

... daughter runs away from home with Lorenzo, a Christian, and takes her father's ducats with her. When Antonio's ships do not come in and he is not able to repay the loan Shylock is no longer interested in getting his money back. Shylock want revenge for the loss of his daughter through the fulfillment of the bond. In court Shylock is defeated because of his selfishness. Shakespeare also shows the human qualities of Shylock throughout the play. Shakespeare brings out these human qualities by causing us to feel sympathy for him. After the loss of his daughter Shylock ran through the streets crying “My daughter! O my ducats! O my daughter!” as children fol ...

... the injured sergeant and says "What bloody man is that?". This is symbolic of the brave fighter who been injured in a valiant battle for his country. In the next passage, in which the sergeant says "Which smok'd with bloody execution", he is referring to Macbeth's braveness in which his sword is covered in the hot blood of the enemy. After these few references to honour, the symbol of blood now changes to show a theme of treachery and treason. Lady Macbeth starts this off when she asks the spirits to "make thick my blood,". What she is saying by this, is that she wants to make herself insensitive and remorseless for the deeds which she is about to commit. Lady M ...

... an equal partner. He uses, manipulates and molds her to fit perfectly into his facade. Krogstad, a morally diseased man who works for Torvald, also uses Nora to gain a higher position at work. He believes herto be an easy target for blackmail. Nora's best childhood friend, Christine Linde, helps her realize that a woman can think, act and live independently for herself. As Nora realizes that she must find her true self, the ways in which Krogstad, Christine and Torvald perceive her dramatically change. Christine Linde, a woman who has had to live independently since her husband died, suddenly comes back to visit Nora and finds Nora has not changed from ...

... in, the murder of Duncan. Lady Macbeth's insults slowly drive Macbeth to the point of no control. Macbeth grows weaker from her constant put downs, and the fact he can not disobey his own wife. He is weakened by the words of Lady Macbeth, when she questions the fact of if he is a man. "Was the hope drunk/ Wherein you dressed yourself? Hath it slept since?" (1.7. 38-39) Lady Macbeth wants to know if he is a true man under his clothes. She questions him because of his unwillingness to kill Duncan. Lady Macbeth is a villain because she insults Macbeth by calling him a girl. In the next quotation Macbeth is being directed by Lady Macbeth, to be a person in ...

... to heaven, and so am I revenged that would be scanned. A villain kills my father, and for that, I, his sole son, do this same villain send to heaven. Why, this is hire and salary, not revenge.” He says here that he has his chance to kill his father's murder but, he is praying. By killing him while he's praying his soul goes to heaven and this wouldn't be revenge. This is not a thought of an insane person. An insane person would have completed the murder at this opportunity. In Act III, scene I, line 55, “To be or not to be...”, Hamlet displays his indecisiveness by thinking about suicide because of the situation he is in. He would rather be dead than live with ...

... this scene and move to the kitchen. It is only but short time after we meet C.W.'s father, we can already begin to know what their relationship is all about. Their values and lifestyle are all made apparent almost immediately when they are first seen in the movie. C.W. Moss's father is clearly the dominant figure in the relationship This is demonstrated by many uses of cinematics and Penn's attention to detail. The dominating relationship is very apparent through the eye of the camera. In cinematography, the camera can be used to show a number of things to the viewer that we wouldn't notice in real life. Closeups of hands under a sink, or a birds eye view of ...