... she puts it on display. For example, when she and her mate come home, they start taking pictures of the house and everything around it. “She stoops down quickly and lines up picture after picture of me sitting there in front of the house with Maggie cowering behind me. She never takes a shot without making sure the house is included. When a cow comes nibbling around the edge of the yard she snaps it and me and Maggie and the house.” (2243) A second representation of her misunderstanding was when she was having lunch with the family. This describes how she never appreciated this bench until she is able to portray it as a piece of art. “Every ...

... of flying fish and dolphin of which he would like to have salt on. This part of the story tells of a cold and harsh sea, that is, one that has value and mystery as well as death and danger. It has commercial value as well as the population of life in it. It is dark and treacherous though, and every day there is a challenge. A similar story tells about a tidal pool with life called `Cannery Road'. This part of the story has to deal with figures of Christ. It mainly deals with Santiago as being a figure of Christ and other characters as props, that is, characters which carry out the form of biblical themes. On the day before he leaves when he wakes up, Manolin, his he ...

... for ascension into heaven. “Lamps of stars,” “bright constellations,” and the moonlight provide much radiance. In addition there are brilliant flashes of lightning from the still lingering storm. The luminous sky provides light while the clear, silver water works on restoring Simon’s body after he has been savagely killed. Simon’s body and the creatures around it also show his holiness. Light images of the creatures that surround Simon glorify his body, and as light falls on his corpse he is transfigured into an icon of expiation. Also, the water covers Simon in a “coat of pearls” and “creatures” (interpreted to symbolize angels) begin to spread a layer of silve ...

... too. Yet, once the cat does not give the narrator quite as much attention as he had hoped, the narrator’s personality changes completely. He begins to show resentment toward the cat, and in a fit of drunken rage, gauges out his eyes. A second example of the narrators craziness is, after a while, the cat’s eye heals and naturally he avoids his attacker. This makes the narrator become even more enraged with the cat than before. So, he takes the cat out to the back yard and hangs him from a tree. This was the very same cat that, at the beginning of the story, he loved and cared for so deeply. After a short while, the narrator gets a second cat that resembles the o ...

... a life as simple, however, is not to belittle it. For Whitman nothing is petty or trivial because every part of life, be it a single leaf of grass, impacts and shapes the future. Experience and observation are then key to living life to the fullest. One must take full advantage of his/her life by fulfilling every instinct and learning a lesson from every blunder. Most important, though, is that every person maintains some semblence of truth in all they say and do. This idea contrsts with the American dream presented in The Great Gatsby by F. Scott Fitzgerald. The Great Gatsby examines an American dream based around material wealth and social status. His/her w ...

... The Trial. In The Metamorphosis, the anonymous force is whatever, or whoever, changed Gregor Samsa into an insect. In The Trial, the struggle is more complex. Joseph K struggles to find the true meaning behind his arrest. He searches for answers related to his case, but no one can give him a clear answer as to why he was arrested. Not even the inspector that arrested him, "These gentlemen here and myself have no standing whatever in this affair of yours, indeed we know hardly anything about it. We might wear the most official uniforms and your case would not be a penny worse. I can't even confirm that you are charged with an offense, or rather, I don't know whether ...

... in the description of the psychologist of the main character, Lenora. “After all, she was just a psychologist. God ! She wasn’t ! Apart from Pandora [his infatuated love] she was probably the loveliest woman I have ever spoken to. I found it hard to take my eyes off her black suede shoes with high heels. “ (p. 35)” Before the entrance of Adrian to the psychologist’s room, he obviously does not expect much of a physical appearance. However, after he enters the room, ironically, Lenora turns out to be a smashing woman. Another use of irony is present in Adrian’s description of his mother in the new year’s eve: “As she ...

... place in the kitchen. While Oliver is in the time setting of around the late 1980’s to the early 1990’s in a time when women are equal to men. The time periods that the two characters live in have changed their personalities. If they were to switch places they would more than likely have reversed personalities. Norman is living in the early 1900’s when the man was expected to be the strong one in the any situation. Norman does this stereotype justice he is in his early to mid 20’s and an upstanding citizen. Norman is faced with the problem of facing his brother’s death. His brother’s death is not a situation that is confined to this time period it is just handled ...

... was bound to get ahead. He always had some resolves like this or something. Do you notice what he's got about improving his mind? He was always great for that. He told me I et like a hog once and I beat him for it” (182). Gatsby's determination to gain a large bankroll is a huge part of the American dream. He believes that once he achieved his financial goal it would lead to a better life. In America the car is one of the greatest status symbols. Gatsby's gorgeous machine is one of the most majestic cars created. Nick's comments on the vehicle describe its luster, “...and there in its monstrous length with triumphant hatboxes and supper-boxes and tool-box ...

... eighty days, which means he has not caught a fish for a very long time. The boat the boy is now on is a lucky boat and has caught fish every day that it has gone out. The boy, Manolin, is the old man's closest friend. Manolin get's up every day and helps the old man, Santiago, take the mast down to the shore to his skiff. The captain of the boy's boat does not let him carry anything, yet Santiago let him carry things when the boy was just five years old. That is how young the boy was when he first started his "classes on fishing" as I would call them. The boy loved Santiago with all of his heart. To prove this one day the boy bought some minnows for t ...