... Although it has been proven that “when people go to Johannesburg, they do not come back” (Paton 4), he is still reluctant to dip into the money he and his wife were saving to send their son, Absalom, to St. Chad’s for further education, much less take it all for his trip. A sensible man, Kumalo realizes that it is necessary to take all of this money and sacrifice the luxuries for which they had been setting aside. Kumalo is somewhat angered by the fact that he now must suffer for those who left and no longer send any letters, and seems to believe that they are at fault for the weakening of his family and of his tribe. Still, he knows that the fate of th ...

... closely it's intricacies reveal that it isn't merely about men putting women in their places. Katherine is an assertive woman trying to cope with how she is expected to act in late sixteenth century society and abide by the unspoken rules. The play ends with her conformance to the norms of society but it isn't a wholehearted choice, it's in her actions but not in her mind. Katherine assumes the role of an obedient, polite wife but she still retains her innate assertiveness. Katherine's being tamed is not a matter of her being cured of her shrewishness but rather her having learned to get along in a man's world. In this play courtship and marriage aren't ...

... 4.2.2.2. VIEW POINT 26 4.2.2.3. CHARACTERISATION 27 4.2.2.4. IRONY 34 4.2.2.5. COMPARISON OF ANIMAL FARM AND THE RUSSIAN REVOLUTION 43 5. CHAPTER CONCLUSION 49 5.1. SUMMARY OF THE STUDY 49 5.2. CONCLUSION OF THE STUDY 49 REFERENCES 51 ABSTRACT Animal Farm as Political Satire KORKUT, Rydvan Supervisor: Assoc.Prof. Dr. Joshua M. Bear This study aims to determine that George Orwell's Animal Farm is a political satire which was written to criticise totalitarian regimes and particularly Stalin's practices in Russia. In order to provide background information that would reveal causes led Orwell to write Animal Farm, Chapter o ...

... Although her love and hopes for her children are sincere, her overbearing and outspoken nature often hurts them. Laura, Tom’s sister, suffers from neuroses. She has trouble separating fantasy from reality. Without the ability to function in the outside world, Laura becomes a liability to both Tom and Amanda. The gentleman caller, Jim O’Connor, is a friend of Tom’s from the warehouse. He is an ambitious young man, who strives for the American Dream through hard work and optimism. Jim offers the Wingfields hope for the future: Tom: He is the most realistic character in the play, being an emissary from a world of reality that we were somehow set apart from. ...

... live in Mirkwood forest, and other destructive and harmful creatures, and they often escape only because of the assistance of Gandalf and other good creatures they meet. Bilbo proves himself essential to the quest, saving the dwarves on many occasions with his valor and skill. His success is partly due to a magic ring that he takes from a strange, dark creature named Gollum, who lives in the dank, dark caves below the Misty Mountains. Gollum is clammy and slimy and he refers to his ring as my precious. Bilbo even manages to discover Smaug's weak spot, the bare area under his ear, which allows the dragon to be killed and the treasure divided. However, the dwarves c ...

... hunting down the pigs for food, all the boys, with an exception of Ralph, Piggy, and Simon have become uncivilized savages. As the chosen leader of the boys, Ralph had to maintain his sense of order and civilization, which he has accomplished. Since the beginning of the novel, all Ralph wanted was to get rescued from the island, and go back to his home. At the beginning of the novel, he talks about his father, who happens to be a "commander in a navy" (p. 8), in such a way hoping that he will somehow finds the boys and bring them off the island. Furthermore, at various moments of the novel, especially when Jack lost interest in the fire, Ralph reminds the boys ...

... fall with Hester, he moves, in steps, toward his public hint of sinning at the end of the novel. He tries to unburden himself of his sin by revealing it to his congregation, but somehow can never quite manage this. He is a typical diagnosis of a "wuss". To some extent, Dimmesdale's story is one of a single man tempted into the depths of the hormonal world. This world, however, is a place where the society treats sexuality with ill grace. But his problem is enormously complicated by the fact of Hester's marriage (for him no technicality), and by his own image of himself as a cleric devoted to higher things. Unlike other young men, Dimmesdale cannot accept his lo ...

... wrong. These include the changing of history with the objective of making the party look good. They also make up things it has the people believe through its telecasts, which the entire population watches. The main character is Winston, who works for the Ministry of Truth, which is an ironic name since it makes up what the people are to believe. Winston has thoughts all the time against the party, but luckily has never been caught by the “thought police”. He keeps on seeing some woman and eventually they meet and he finds out her name is Julia. They differ in their view of how best to oppose the party. He believes in a widespread rebellion while she believe ...

... personalities, which are so well-developed that you find yourself wondering if these were real people at some time or another and you might travel to Germany to meet them. The plot is not linear, and in most cases I would say that this is a negative thing. However, in the book the author actually uses it to enhance the storyline by not dwelling on any one scene for too long. Many chapters end and you find yourself wondering if there was supposed to be more. By the end, you realize that it actually enhances the plot greatly. One moment the people might be eating and bathing in the barracks, and the page after they are fighting on the front lines. It skips arou ...

... not stand with Hester on the scaffold, instead he stands on the balcony with those who pass judgment on her. During this time, Reverend Mr. Wilson demands that Hester give the name of her lover. He gives her the chance to “take the scarlet letter off [her] breast” if she were to “speak out his name”(64). Had she relented and revealed his name she might never have had to endure the humiliation of the scarlet letter. But she refused, and so her path was set. The second time at the scaffold was a turning point for Hester. She, Pearl, and Dimmsdale are together for the first time, “...the three formed an electric chain” as if they were always meant to be together ...