... it is "haunted," and that "there is something queer about it." Although she acknowledges the beauty of the house and especially what surrounds it, she constantly goes back to her feeling that "there is something strange about the house." Her impression is like a premonition for the transformation that takes place in herself while she is there. In this way the house still is the cocoon for her transformation. It does not take the form of the traditional symbol of security for the domestic activities of a woman, but it does allow for and contain her metamorphosis. The house also facilitates her release, accommodating her, her writing and her thoughts. These two activ ...

... their world so easily? Rahael and Estha don’t know it and don’t care about it, they only want to continue as free and lovely as they can and help others to do so, but how painful it is for them. When their parents get apart, Ammu, their mother, became their father and their mother; “their Ammu and their Baba..” They love her most in the world, they love her double. At one point in the novel (109), as many others, Rahel shows the reader how important her mother’s love is to her and how her mother’s indifference to her words hurt her. At a hotel, the night before the twin’s cousin Sophie Mol arrives, Rahel gets very sad because she thinks that her mother ...

... Zorastrianism has played a decisive part in reconstructing the religion and social structure of the Indo-European peoples. Though was never, even in the thinking of its founder, as aggressively monotheistic as, for instance, Judaism or Islam, it does represent an original attempt at unifying under the worship of one supreme god a polytheistic religion comparable to those of the ancient Greeks, Latins, Indians and other early peoples. Its other salient feature, namely dualism, was never understood in an absolute, rigorous fashion. Good and Evil fight an unequal battle in which the former is assured of triumph. God’s omnipotence is thus only temporarily lim ...

... offices ranged from Mason County Treasurer to state governor, senator, and most likely thoughts of presidency. And on the way to get to these offices, Stark had to overpower others with dark knowledge, the secrets people keep. Stark says that “man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something (49).” He is saying that everyone has something to hide, a skeleton in the closet. Stark knows that everyone has some bit of knowledge to hide, and that the knowledge makes man a slave as he tries to hide the bit of knowledge. Stark often wields the power of knowledge to ensl ...

... cause in her mind she is trying to prepare herself to meet him. Dimmesdale is going mentally insane because of the effects from guilt. He sneaks out at night to stand on the platform, but why doesn’t he confess. He is a reverend, and should be able to tell everything. That is why it is so hard for him. He is trapped between a rock and a hard space. If he tells the citizens, he is no longer the great reverend. Then again, if he doesn’t, he will be forced to carry the ever so heavy burden. Dimmesdale waits for such a long time that the guilt has already got to him by the time he is ready to confess. He carves the letter, “A,” into his chest. He beats himsel ...

... come to me in fine clothes, in fine shoes; there is scent in their hair and money in their purses. That is how these young men come to me, O Samana.² These teachings in which Kamala placed upon him helped him to seek out the riches and wealth that would supposedly bring him happiness. Another of the people who Siddhartha obtained knowledge from was the rich merchant Kamaswami. Kamaswami taught Siddhartha the secrets of making money and living the life of a rich man. While working for Kamaswami many of Siddhartha's values stayed intact but, slowly these values began to slip away. In many ways Kamaswami taught Siddhartha the dark side of life. As th ...

... beauty and value nature only according to its productive usefulness. In The Light in the Forest, whites, for example, cut down the forest and clear land for farming. I also was intrigued with how True Son spoke of his mother the Earth, his uncle the Moon, and his brother-in-law the Wind. In today's society we seem to concentrate on technology, while such oneness with nature is almost non- existent. As an author, Conrad Richter appears to be a skilled writer. I found numerous strengths and only two weaknesses. One strength was his use of strong visual images. "What he hungered for most was the sight of an Indian face again-his father's, deep red, shaped like ...

... glass menagerie is symbolic of all their shattered dreams, failing to fulfill their transcendent aspirations, the Wingfields find themselves confined to a wasteland reality, their dreams become a ‘heap of broken images’” (Thompson 15). Just as the menagerie itself is frozen in time, the Wingfields are also. They are restricted to the one way of living that they have practiced as time had passed, so they do not know how to break free of that confinement. All the characters as a whole have tried to escape the harsh reality, but in every case they manage to fail, and in turn shatter their dreams like glass. This continuing struggle is a large part ...

... “only you, no one but you…” (page 179, fifth paragraph). Edna often doesn’t understand her emotions and what is going on in her head, and she also frequently misinterprets them. Because of this she is a very unpredictable character, her actions and words are inconsistent in their messages. “Edna Pontellier could not have told why, wishing to go to the beach with Robert, she should in the first place have declined, and in the second place have followed in obedience to one of the two contradictory impulses which impelled her." “Yes,” she said. “The years that are gone seem like dreams- if one might go on sleeping and dreaming- but to wake up and find- oh! well! p ...

... the author we get a very keen insight into this area of human experience. Orwell feels that beggars and tramps have unfair labels and stereotypes attached to them. For example, most people think of tramps as being dangerous. About that Orwell says: "Quite apart from experience, one can say a priori that very few tramps are dangerous, because if they were dangerous they would be treated accordingly. A casual ward will often admit a hundred tramps in one night, and these are handled by a staff of at most three porters. A hundred ruffians could not be controlled by three unarmed men. Indeed, when one sees how ramps let themselves be bullied by the wor ...