... Juliet’s mother, Lady Capulet) notices that Romeo is not a Capulet and challenges him to a fight. Lady Capulet quickly stops him, so Tybalt instead tells Romeo he will regret coming to the party. Romeo and Juliet secretly get married and no one knows except for Juliet’s nurse. Tybalt meets Romeo again and again tries to start a fight with him, but Mercutio (A kinsmen to Prince Escalus and a friend of Romeo) fights him instead. Tybalt kills Mercutio, and then Romeo kills Tybalt in revenge. Juliet goes through a fit of weeping when she finds out Tybalt is dead, but she is still glad Romeo is alive. Her nurse then announces that Romeo has been banished ...

... are between: Hamlet and Horatio, and Hamlet and Ophelia; Hamlet and his father, set against Hamlet and Gertrude. These comparisons, I believe, demonstrate the power of male bonding, and show male/female relationships are formulaic in character, defining the woman by categories. Femininity, symbolic of sexual potency and control, must be determined by the male hierarchy. II Hamlet has an ambivalent relationship with Horatio. Hamlet, at first, distances himself from Horatio, and is wary of placing too much trust in his friend. Indeed, Horatio recognises the individual nature of the Ghost's plight, and implicitly, therein, Hamlet's task: It beckons you to go a ...

... a bleak picture of the potential for love and relationships in a world in which a distinction needs to be made between secular and private roles. Dorigen differentiates between "hir housbonde" and "hir love" (250) and Arveragus distinguishes between "his lady" and "his wyf" (125). Immediately, Chaucer signals the practice of chivalric courtship as the knight who is of noted "heigh kinrede" (63) ceremoniously completes the "many a labor" (60) of a courtly lover. The description of the duties that must be undertaken by a classic courtly lover seeking a wife for social fulfillment corruptss the image of courtship being motivated by the existence of true love. The ...

... against nature is rather extreme, for he takes lightly to this thought of death. The Albatross, as a representative of nature, means nothing to the Mariner. These thoughts are quickly changed, though, as Nature begins to start the penance leading towards forgiveness - "Water, water, everywhere nor any drop to drink." When "the mariner begins to find his salvation when he begins to look on the 'slimy things' as creatures of strange beauty" (Fraser 203), he understands the Albatross was a symbol of nature and he realized what he had done wrong. The mariner is forgiven after sufficient penance - "We could not speak" - is performed by Nature. Nature shows us more s ...

... himself to be a horribly hard-headed individual, and this is obviously true. But, in this encounter with the powerful king, Achilles also shows some of his more respectable qualities; such as courage, honor, and a sense of justice. Achilles does not feel that it is right that he or the rest of the soldiers should be punished for the brashness of their commander. So, as the epic starts to unwind, Achilles is described as a strong-willed, though a bit hot tempered, man. It is in the following books that Achilles shows some of his not to desirable qualities, yet in these qualities the character of Achilles is ultimately developed. Homer describes the plot of Achil ...

... The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace … The first example, “My favor at her breast,” shows that she found pleasure in the attention that the Duke showed to her. Yet, Browning leads us to believe that she equated this intimate contact with something as simple as the sun setting, “The dropping of the daylight in the West.” In the following passage the reader is given the first glimpse of what probably led the Duke to such a violent act: She thanked men -- good! but thanked Somehow -- I know not how -- ...

... sadness, impassions her anger, and makes the crime of killing her own children all the more heinous. Medea’s state of mind in the beginning of the play is that of hopelessness and self pity. Medea is both woman and foreigner; that is to say, in terms of the audience’s prejudice and practice she is a representative of the two free born groups in Athenian society that had almost no rights at all (“Norton Anthology” 739). Euripides could not have chosen a more downtrodden role for Medea. Here is this woman who has stood by her man through thick and thin. She has turned her back on her family and killed her own brother whi ...

... laws. However, he sometimes violates them. For example, he is so preoccupied with the idea that he is a coward that he demands the women to renounce this and declare his masculinity. He is so dependent upon this that he refuses to engage in sexual activity with Estelle until she affirms him. This is anti-existential because according to its principles, he should not have to rely on others for confidence. Inez is in Hell because she had seduced her cousin’s wife, then conspired to make his life miserable, until he finally stepped in front of a tram and was killed. Inez also brought a lot of guilt upon her lover, Florence, until she finally commit ...

... instead of himself. Although he knows Othello is a proud man, his open and trusting nature in the beginning of the play will be eroded by the conclusion of the plot. As Iago is speaking to Brabantio about Othello, he uses the term "white ewe" to represent Desdemona, and "black ram" when referring to Othello. By using these terms, it shows that he is trying to give a bad impression of Othello when he is speaking to the royal family in Venice, because Othello is a Moor or a Negro. Iago shows his black hatred for the Moor, and his jealousy of Cassio in his first soliloquy and also reveals his evil intentions. As the act continues and Othello is being searched ...

... they should have open war, for he is a person possessed with the lust for violence and someone who just wants revenge on God. As his speech goes on he get more worked up and irate. He whips up emotion by talking of the pain they are suffering and although he knows there will be no victory - they cannot beat God - they will at least have had some revenge. Moloch is seen as a towering pillar of strength but only by despair. Moloch is seen as an extremist. "which if not victory is yet revenge." The next person to speak is Belial, a fair person but all that he says comes to nothing, the speech is "false and hollow", it sounds impressive but mean ...