... police car interrogates him as to why he is walking the streets and questions him about his profession and marital status. The car cannot believe that he is just walking for air and just to see. The car tells Leonard to get in and he does. Mr Mead assumes that he will be taken home but when he is in the car and the doors locked shut he asks where he is being taken, the car he replies ‘to the psychiatric centre for research on regressive tendencies’. Leonard Mead is not a ‘normal’ person in the way that his neighbours are, because all they do is sit all night with their lazy eyes glued to the television. Leonard is a writer in a non-reading ...

... then barely escapes his punishment to join a group of people who attempt to preserve knowledge through memorization. At the beginning of the novel Guy Montag is described as a "minstrel man" (4). He is a fireman who "never questioned the pleasure of watching pages consumed by flames." (Back cover). He is a brave individual who decides to rebel against society. Montag meets a crazy and imaginative seventeen-year old girl named Clarisse McClellan. She tells him of a time when firemen used to put out fires instead of making them. After that, Montag and the other firemen burn a house filled with books and burn its owner. "They crashed the front door and grabbed at ...

... a theatre. Also, some of the techniques used when filming outdoors create a symbolic message. A portion of the scenes before the beginning of the witchcraft trials is seen in a downpour of rain, possibly foreshadowing doom and dreariness to come. There were some scenes added or adapted in the movie as opposed to the play. First, the large group of "stricken" girls, which indeed had a greater number than did the group in the play, left the church meeting at the beginning of the movie to see about Betty's condition. Betty seemed to be much more violent in the movie and she tried to jump out of the window, which did not occur in the play. These details were most likel ...

... that he was, he had quite a different take on the issue. Socrates strove to find the truth in love. He was the “ideal lover of wisdom”, never allowing himself to divert from the real pursuit of beauty: Since beauty is one of the true and ultimate objectives of love. Socrates states that, “Love is the conciousness of a need for a good not yet acquired or possessed.” In other words we want what we do not have, and at times cannot have. Love for Socrates is a superficial occurrence and only based on the things in life that seem to be pleasing to the eye. But in the times when The Symposium was written that tended to be the case more often than not. No o ...

... forced her all of her life," said Steinbeck. Cathy used this to her advantage by making people uneasy, but not so uneasy that they would not run away from her. Cathy was born with an innocent look that fooled many; she had golden blond hair, hazel eyes, a thin and delicate nose, and a small chin to make her face look heart shaped. According to the town Cathy lived, Cathy had a scent of sweetness, but that is just what Cathy wanted the town to see and think when Cathy planned her kill. On page 114-115, "The fire broke out... the Ames house went up like a rocket... Enough remained of Mr. and Mrs. Ames to make sure there were two bodies ...

... values, motives, attitudes, emotional reactions, abilities, self-image and intelligence as well as the persons overt behavior patterns." (McConnell, page 610). He then went on further to say, "A complete theory of personality would not only describe the individual’s present style of adjustment but give some notion of how the person got that way and where he or she was going." Throughout the poem, the author allows the reader to see, in action, the true workings of heroes. Men and women who cast aside their own personal needs and desires for the better of others. During this time society sustained a strong honor code. The actions that an individual ...

... the 1920s? These questions really give the purpose of the book itself. The letters of the Bintel Brief reveal that immigration became a cultural process. When the Jewish immigrants came to the U.S. there culture had to be changed to adapt to the Americans. They shaved their beards and ate non-kosher foods, they slowly had to separate themselves from there homeland. They had to blend in with there surroundings to get a job or even to make friends. In one of the letters, a young Jewish woman would go to work each day knowing that she would be harassed when she arrived. One of her fellow co-workers said the all Galician Jews should be dead. With comments li ...

... out, that her – so I was called – is very clever and cautious. Once in front of the house a corpse of one of the oldest rats was laying, crushed by an automobile. Upon seeing the turned up, insipid muzzle with the intestines out of the stomach… mother never could get rid of obsess ional memories and phobia, that something similar can happen to somebody from her family. And on the first place in the candidate list was always I. As soon as I was taken off from mother’s chest, I have started having conversations with the teacher – an aged rat with a nickname Mavr. He told me about the world in which we live, about the people who become a ruling race on the ground, ab ...

... of their lurid like attitude. The Cunningham's are very respected by the citizen's of Maycomb county. The Cunninghams took nothing, unless they could pay it back. Walter the youngest in the Cunningham clan was in the same class at school as Scout Finch the daughter of Atticus Finch. While in school, a fresh young new school teacher known as Miss Caroline did not know the reputations of the predecessors of these two children. In what looked like a good day for the rookie teacher quickly turned into complete disarray and a total adversity trip for the teacher. Walter Cunningham being raised in a very hard working environment was taught not to take what he could not ...

... fit the literary marketplace. He was writing for money and began writing for magazines like Good Housekeeping and Mademoiselle. Many of Salinger’s characters have unique character traits. "Salinger presents a number of stories that consider characters who become involved in degrading, often phony social contexts," states a major critic (Wenke, 7). These characters are often young and have experienced a lot of emotional turmoil. They have been rejected by society and mainly categorized as "misfits." This alienation of the personality is often viewed as a sign of weakness by society when in fact the outcasts ultimately gain strength from their ex ...