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... as a series of constructed systems. From this quote metadrama can be said to openly question how narrative assumptions and conventions transform and filter reality, trying to ultimately prove that no singular truths or meanings exist. In respect to the plays of Shakespeare, critic John Drakakis supports this notion arguing that Julius Caesar may be read as a kind of metadrama: by figuring Caesar, Brutus, Cassius and others as actors, self consciously fashioning Roman politics as competing theatrical performances the play enacts the representation of itself to ideology, and of ideology to subjectivity. Moreover if the subjects within the fiction of Julius Cae ...

... throne, and Macbeth considered murder to overcome this obstacle that would prevent him from becoming the King. The prince of Cumberland! That is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires! Let not light see my black and deep desires. The eye wink at the hand; yet let that be, Which the eye fears, when it is done, to see. (Act 1:Scene 4:ln.55) When Lady Macbeth heard of her husband's success and read the letter, we almost immediately feel that a new source of power had appared in the drama. Her words reflected a great knowledge of her ...

... passage is used to compare Juliet to an angel, somethign that is universally held as sacred and lovely. Elsewhere in the scene there are lines that describe their love for one another, and add to the romantic theme of the scene: And but thou love me, let them find me here. My life better ended by their hate The death prorogued, wanting of thy love.(Rom. II. II, 76-78.) In the final scene of the play, there is much talk of death by Romeo, Friar Laurence, and Juliet. Romeo announces his own demise in his soliloquy: Depart again. Here, here I will remain With worms and chambermaids. O, here Will I set my everlasting rest And shake the yoke of inauspicio ...

... make thee think thy swan a crow." (I, ii, l 86-87) To show his appreciation, the servant asks for Romeo’s presence at the ball. Romeo should have considered the servant’s warning; if Romeo occupies the name of Montague, he shall not be permitted. Once at the ball, Romeo is searching for a maiden to substitute the unrequited love of Rosaline. Romeo happens to gaze upon Juliet, who charms Romeo. Romeo proclaims, " Did my heart love till now? Forswear it, sight!/ For ne’er saw true beauty till this night." (I, v, l 52-53) Since Romeo declares his love for Juliet, she feels the attraction also. They believe that they are in love and must marry. However, it is a genui ...

... Updike's "A & P," the conflict of the individual thoughts and feelings versus the desire of society's institutions for conformity occurs with the characters who were different. Initially, a scrivener is someone who copies things for a living. The title "Bartleby, the Scrivener" describes Bartleby the complete opposite of what he actually is. He is asked to "join this interesting group." The narrator describes Bartleby as enclosing himself behind the walls of his office. These walls represent the walls Bartleby builds - not physical wall, but communication barriers. The walls between him and society provide security for Bartleby. His refusal to be like everyb ...

... I, Scene III, Line 355] By playing on his hopes, Iago is able to swindle money and jewels from Roderigo, making himself a substantial profit, while using Roderigo to forward his other goals. He also thinks quick on his feet and is able to improvise whenever something unexpected occurs. When Cassio takes hold of Desdemona's hand before the arrival of the Moor Othello, Iago says, "With as little a web as this will I ensnare as great a fly as Cassio." [Act II, Scene I, Line 163] His cunning and craftiness make him a truly dastardly villain indeed. Being as smart as he is, Iago is quick to recognize the advantages of trust and uses it as a tool to forward his pur ...

... available, but only one possibility accurately explains the actions and events that led to this gruesome episode. The only person to blame for the death of mighty Patrocles was himself. First of all, Patrocles was responsible for his own death because he requested his insertion into the battle, fully knowing that the Achaeans were being unmercifully defeated. In Book XVI , Patroclus said, " Send me forth now at the head of the Myrmidon host That I may be a light of hope to the Danaans. And let me strap on my shoulders that armor of yours That the zealous Trojans take me for you and quickly Withdraw from the fighting." Becaus ...

... is essentially invisible to himself. Only through a long and arduous journey of self-discovery which is fraught with constant and unexpected tragedy and loss does he realize the truth, that his perceptions of himself and of how others perceived him had been backwards his entire life. The story opens with the narrator participating in a "battle royal" prior to delivering a speech on humility, and on the progress of the Black people. These are the days during which he is still a hopeful scholar, defining himself as a "potential Booker T. Washington." At this point he is living the life that others have told him that he should live, and defines himself as he believes h ...

... body of an obese naked woman squirming in a casket lined with black cloth. He leaves the scene quickly. This first bout with sexuality was certainly a grotesque one, and one which, perhaps, helped fortify his resolve not to experiment with sex for years to come. Haze reacted to the incident on different levels. Before watching the "show," he was filled with curiosity. So badly he wanted to view this "EXclusive" show. After glancing at the body, he first thought that it was a skinned animal. When he realized what it was, he at once left the tent, ashamed, and perhaps frightened of the object before his eyes. Hazel’s reaction was not unnatural. The sight with which h ...