... began to have more specific laws than most. Eventually, he had his 282 laws etched on stone in Cuneiform. These would be the governing laws of all his people. People then knew all the punishments and consequences for breaking the laws, and they knew what they must due when accusing a criminal. (We know what we must do on Saturday to Woodstock, don’t we?) Hammurabi created a set of moral codes that was to be copied and used by other civilizations. The Codes of Law were broken into certain categories. These categories are not definitely known, but the majority of historians believe them to be: family, labor, personal property, real estate, trade and business. ...

... war. Whitman starts off each stanza with the same line every time. “Beat! Beat! drums! - blow! bugles! blow!” He uses this symbolism of war to show the effects it has on the world. The drums and the bugles are always interrupting things. This is seen clearly in the first stanza. The drums and bugles are interrupting the church and the farmer can't be peaceful. Whitman continues this symbolism throughout the rest of the poem. Whitman also speaks of how he doesn't like the war in other poems of his. He does this in “The Wound-Dresser.” He speaks of the war as his strangest days. They were long days of sweat and dust. The reader can tell by the expl ...

... Gravey was the eleventh child of Marcus and Sarah Gravey. He was born in 1887 in St. Ann’s Bay, a rural town on the north coast of Jamaica in the British West Indies. Garvey learnd at a young age about the differences between the races. Being one of the few Blacks on the island, Garvey often played with the children of his white neighbors. The little girl who lived next to the Garvey’s home informed Marcus that she was being sent away to school in Scotland and that she was instructed by her parents “never to write or try to get in touch with me, for I was a ‘nigger.’” Although he was a good student, financial problems fo ...

... Pete started out at the class "A" level. He rose up quickly making the starting roster for the Reds opening day team in the same year, 1963. On opening day Pete said he wasn't nervous at all until about 10 minutes before the game. It hit him that he was now starting for the Cincinnati Reds, when not more than a year ago he thought football was his life. He walked in his first at bat, on 4 straight pitches. He said it wasn't because of nerves though, he just didn't want to swing. He got his first hit in the majors three games later, against the Pittsburgh Pirates. Pete played with the Cincinnati Reds from 1963 to 1978, and then he signed with the Philadelph ...

... hardships not unlike all the other slaves in the country. did not know his own father, which sounds very terrible, but was nothing unusual to young children of enslaved mothers. However Booker’s thoughts and feelings were different from what you’d suspect. Booker states, “ I do not find especial fault with him (his father). He was simply another unfortunate victim of the institution which the Nation unhappily had engrafted upon it at the time.”(4) was engulfed in labor throughout his adolescence and young boyhood days, joining his step-father in working in salt furnaces and coal-mines after the civil war. Of course the labor force in t ...

... His concoction of aloe, rhubarb, and a narcotic cost him most of his savings and money soon became tight (Paine 34-35). The family soon grew with the birth of Pamela late in 1827. Their third child,Pleasant Hannibal, did not live past three months, due to illness. In 1830 Margaret was born and the family moved to Pall Mall, a rural county in Tennessee. After Henry’s birth in 1832, the value of their farmland greatly depreciated and sent the Clemenses on the road again. Now they would stay with Jane’s sister in Florida, Missouri where she ran a successful business with her husband. Clemens was born on November 30, 1835, in the small remote tow ...

... His face and picture are in most buildings in Libya. He always was devoted to school as a kid. He would take a long hike from the desert to school. He would come home only every Thursday, the beginning of the Muslim weekend. Then he would go back to school. He was the first in his family to be well educated. One of his first goals when he was a child was to join the Libyan army. He slowly moved up in rank. It was surprising they even let him in the army; he had a long police record. He eventually joined the King's police. This was when the idea of a coup attempt came. He did succeed. Qaddafi was born in a tent in the desert 20 miles south of the se ...

... do about that. So, I started to draw and to write." Because of his rejection by some of his peers, he found his own hobby: entertaining others. During the 1950’s, Silverstein even served as a member of the United States Armed Forces. While in this position, he was employed as a cartoonist to help cheer up the troops during the Korean War. In 1956, the writer worked again as a cartoonist, but this time for a little-known magazine called Playboy. Despite this wide range of literary audiences, Silverstein’s main purpose was to entertain. Two of his major collections of works of literature are the critically acclaimed Where the Sidewalk Ends and A ...

... arranging the marriage of Temuchin to Borte. Temuchin was only 8 years old at the time, when his father was poisoned by a group of Tatars, getting revenge for a costly raid against them earlier. Temuchin\'s fathers death, which happened in 1175 or 1176, lead to his family\'s loss of support with relatives isolating Temuchins family. His mother and her four sons, and a few retainers were abandoned to fend for themselves. They lost their herds of animals and the economic support of their kinsmen, forcing them to fish, eat roots and mice to survive. Temuchin and his brothers grew to early adulthood in extreme poverty. It was during this time that Temuchin show ...

... for a group of plays called American Blues. Williams achieved his first great stage success with The Glass Menagerie, which was produced in New York City in 1945. This play won the New York Drama Critics' Circle Prize as the years best play. Williams averaged two plays a year since that time. On February 4, 1983, Tennessee Williams died in New York City. Throughout Williams' lifetime he has put forth more than twenty- five full-length plays, more than forty short plays, a dozen produced (and unproduced) screenplays and an opera libretto. These have been translated into at least twenty-seven languages, including Tamil, Welsh, Marathi and Hindi. In addition ...