... that made him a great man. In the Exodus there were many examples where Moses showed his great wisdom. He also possessed somewhat magical power given to him by God. He also had a divine purpose in life. Moses was on a “mission from god” so to speak to deliver his people from bondage. His mission was similar to those of other typical epics. It was of course a very dangerous and exhausting journey that lasted a very long time. There were many obstacles to overcome as well as internal affairs among the Hebrews. Moses was born a Hebrew but was raised as the prince of Egypt. Just like Odysseus, Moses was a man of nobility. Moses did not know h ...

... things to himself, using white words, which I take to mean words that have a kind of unselfconscious purity about them. He daydreams about his mother ,an "autumnal recollection", and that in turn moves him back toward his childhood home where his mother seems still to preside--diminished now over an outmoded world. She is smaller, more vulnerable, someone to be protected. "Matku," he says tenderly in Czech, "Mon maminku," my little mommy, which the translator has rendered as "my diminutive mom." He imagines that after all these years she's still sitting back there, quietly uncomplaining, thinking about his father who died so long ago. It is the next moment in ...

... 29-30, 1941. There is no memorial to the thirty thousand, but fear pervades the area. Fear that such a thing could occur at the hands of other humans. The poet feels the persecution and pain and fear of the Jews who stood there in this place of horror. Yevtushenko makes himself an Israelite slave of Egypt and a martyr who died for the sake of his religion. In lines 7-8, he claims that he still bars the marks of the persecution of the past. There is still terrible persecution of the Jews in present times because of their religion. These lines serve as the transition from the Biblical and ancient examples he gives to the allusions of more recent acts of hatred ...

... is beautiful. He contemplates whether or not to compare his love to this ideal day, "Shall I compare thee to a summer's day?"(ll.1); but decides against it in his second line because he feels his love is "more lovely and more temperate"(ll. 2) during that day. He then proceeds to bombard us with images of natural nuisances such as windy days that "…shake the darling buds of May"(ll. 3); which hot weather magnified because it is coming from heaven and the seasons are changing. Shakespeare has taken the idea of a warm breezy summer day and twisted it into a sweltering day with the sun beating down on us. However, in the lines after the destruction of a nice day, ...

... eye of the blackbird as an outside observer. This symbolizes the thoughts and the consciousness of the blackbird. It is also a transition from the observer's perception to the blackbird's perception. In the second stanza, Stevens goes on to say that he was of “three minds, Like a tree, In which there are three blackbirds.” This was the first time he makes the connection between seeing the blackbird and him himself metaphorically being the blackbird. He makes this connection even more clear in the fourth stanza when he says that “A man and a woman Are one. A man and a woman and a blackbird are one." In the sixth stanza he goes back to being the poet observer as he w ...

... boy, He’d have God for his father & never want joy”(p31 L 19-20). So after that he wakes up and forgets about his horrible duties to be fullfilled for that the Angel told him that it would be alright when the time comes. In the second poem from “Songs of Experience”, the boys viewpoint on religion changes. His optimistic view has changed into a dissapointed grudge towards God and the heavens. He has come to the harsh reality that being a child in a profession where help is needed, because the child can not help himself, God has let him down since he has not released him and the other boys from their coffins of black. He reveals this to the reader in the last stan ...

... strong a man's love may be, time winds inexorably along. One cannot halt nor reverse the march of time, it is unconquerable, the unrenewable commodity. The tone of the poem turns reproachful, dark, as the clocks' chime tells of the world that is powerless before time. To say that " vaguely life leaks away," the author is possibly attempting to covey that every moment lost cannot be retrieved, that every second that goes by is a second closer to the death of the body and to the death of love. The images of the frozen, cracked landscapes, and the crack in the teacup are examples of lost, passed time. The verdant valleys shall always be sheathed in snow, they cann ...

... Again the speaker puts the wind into the non-physical world by describing the wind using words such as "breath", "unseen presence", and "enchanter". At the end of the first stanza, the speaker again talks about the wind, as a celestial being when he describes the wind as a "Wild Spirit" and says this spirit is everywhere. He then comments on the power of the wind when he describes it as a "Destroyer and Preserver." He ends the first part in the fifth stanza with an apostrophe. The speaker speaks to the West Wind, and asks this higher force to listen to his plea. The second section of the poem deals with the wind as being a power of the wind in the heavens. ...

... killers, both past and present. Take for example Theodore (Ted) Bundy, who in 1978, after watching students drink and dance in a college bar, witnessed "a healthy ritual of joy from which we know he forever felt exiled". Shortly thereafter, Bundy left the bar and traveled to the Chi Omega sorority house where he watched from outside, entered, and then killed two girls and wounded two others. Just as Bundy had done, Grendel watched and surveyed from the distance. He waited outside the great hall, listening to the mirth and celebration from within. He hated them. The revelers inside felt no "misery of men." They were not uninvited, outcast, and below the social ...

... of fact that tells much more than is said, "So your chimneys I sweep & in soot I sleep."(4) The end-result, however, of this line is quite the opposite: the reader is quickly initiated into the dreadful life of being a chimney sweep and all that it entails. The tale goes on, describing "little Tom Dacre"(5) who cried when his blonde head of curls was shaved. The worldly wise narrator is very practical in his manner of comforting little Tom, "Hush Tom never mind it, for when your head's bare/ You know that the soot cannot spoil your white hair."(7-8) Tom is quieted, yet that same night he is visited by a dream wherein thousands of other chimney sweeps lik ...