... has gone through a significant maturing process. Sex has become a driving force. NBC's vice president for advertising standards, Rick Gitter, acknowledged that the 1990's reality can't be denied (Baltimore Sun; pg. 1G). Ann Klein's company's ads are some of the most striking ads that are carried in the main stream media. They have received only a few negative letters, but they've drawn a huge amount of attention (Baltimore Sun; pg. 2G). "We wanted the women to say, 'Hey,' and we have gotten a fantastic response," there's a fine line between doing something new, different and interesting, and angering your customer with offensive commercials that spo ...

... in his own special manner when he says: “To the celestial, and my soul's idol, the most beautified/ Ophelia--/”(II, ii, 116-117) Although he may love her with all his might, as he tells Laeretes,: I loved Ophelia. Forty thousand brothers Could not with all their quantity of love Make up my sum. (V,i, 264-266) Hamlet is too immature to love her enough to trust her in their relationship. This trust that he is lacking will give him the ability to hand Ophelia the key to his madness however, due to immaturity he is unable to hand her the key. Because of Hamlet's immaturity this same madness enables him to act extremely irrational at times, such as killing ...

... sleepytime Sunday morning political debates that one would watch on the public access channel. They, in many ways were considered "boring." Networks were growing more interested in attracting their audiences. As the years advanced and technology followed, media began taking different approaches to arouse the public. Conflicts on television where seen as a more interesting and productive approach to increasing ratings. After a while, interviewers would attempt to provoke debate, mud throwing and even emotion out of it's political guests. Politicians who be allowed air-time to address questions presented by viewers and interviewers. One major complaint ...

... shows his passion and how upset he is by his father's death when his mother and the king enter the room and question him on his grief for his father. His mother mentions that his grief seems common. Hamlet replies: “Seems, madam! nay it is; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black, Nor windy suspiration of forced breath, No, nor the fruitful river in the eye, Nor the dejected 'havior of the visage, Together with all forms, moods, shapes of grief, That can denote me truly: these indeed seem, For they are actions that a man mig ...

... is not present, however, at the start of the play. In the first act, Hamlet appears to be very straightforward in his actions and inner state. When questioned by Gertrude about his melancholy appearance, Hamlet says, "Seems, madam? Nay it is. I know not `seems.' (1.2.76). This is to say "I am what I appear to be." Later In Act I, Hamlet makes a clear statement about his state when he commits himself to revenge. In this statement the play makes an easy to follow shift. This shift consists of Hamlet giving up the role of a student and mourning son. Hamlet says, "I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, ...

... crime. Edmund has reached a point in his pursuit of power that he will stop at nothing to gain more. He writes another letter. This one is similar to the first, except instead of implicating his brother to his father, it implicates his father in a plot with France to kill The Duke of Cornwall. The King decides that Gloucester’s supposed treachery cannot be tolerated and orders that his eyes be torn out. At this point, Edmund seems to be unequivocally evil. This is undoubtedly false. Two of the other characters of the play, Goneril and Regan surely equal Edmund’s ferocity in their quest for power. Our first glimpse at the two surely begins to prove that fact. ...

... emotions would be unable to do so without some connection, or bridge, to the personal and emotional response of their character. So Stanlislovski designed tool for the actor to use to help him connect with the emotional and physical world of his character. Such concepts as The Magic If is a clear example of a tool an actor could use to connect himself the life of the character. The Magic If, simply guides the actor to ask the simple question: "What would I do if I were in my character position?" By asking this question of himself the actor can personalize the given circumstances of the character. The situation of the character becomes more personal, and the ...

... about Cassio sleeping with Desdemona. This appears to be Iago's smartest move because this causes the death of Desdemona and Cassio. This part also appears important to Iago because he is finally made lieutenant. Othello changes dramatically when he hears all these lies from Iago. He is now less patient. He hurries through many decisions to be made. Such as the one to kill his wife. He also jumps to conclusions too quickly. This is shown when Iago and Bianca are talking about Cassio and Othello misinterprets them talking about Desdemona. "Ay, let her rot and perish and be damned tonight, for she shall not live." (4:1, 200-201. Othello is planning Desdem ...

... and relatives have died because of his visions with the supernatural. The death of his wife in Act V, Scene IV is the death that sends him over the abyss and into mental instability. Lady Macbeth is like a joined appendage to Macbeth. They work as one, communicate as one, and when that appendage is lost, so is MB's grip with reality. Lady Macbeth was the only person he could truly confide in. The supernatural also had another key factor to her death. In the first act of the play, she calls on the powers of the supernatural to make her strong. The following quote, "Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the ...

... Macbeth containing conjecture about the prophecies of the three witches. She immediately wants to take fate into her own hands. She begs the evil spirits to tear all human feelings from her, for she knows that she will have to urge her husband, Macbeth, to become King by murdering Duncan. She will have to give up all the gentle, tender qualities of a woman, so that she can become a sexless, pitiless demon. She has to make her husband ignore his own conscience. She declares: “ Thou wouldst be great, Art not without ambition, but without The illness should attend it.” By ‘illness’ she means ‘evil’. Macbeth seizes evil, as one might catch a disease. When Macbeth has ...