... This type of dress was not part of the “A & P policy” especially since “the women generally put on a shirt or shorts or something before they get out of the car into the street”. An example of Sammy’s imagination is exemplified through his description of the other shoppers in A & P. Sammy refers to the shoppers as “sheep” twice in the story. Once as he views the customers continuing to push their carts down the aisle only glancing slightly at the girls and continuing to shop. Sammy “bets you could set off dynamite in an A & P and the people would by large keep reaching and checking oatmeal off their lists and mut ...

... When Zinsser is proving this point in his essay he uses the example of the president of a major university writing a very unclear letter to state a problem the school was experiencing. Zinsser translates the letter to read the actual message that everyone can understand. The way Zinsser writes the essay it is easy to understand. He uses everyday words not dictionary words. No one wants to read an essay that every other word they have to stop and go look it up because they do not know the meaning. This causes the reader to become frustrated and they also tend to loose interest. There are too many other options presented to people today that already stray ...

... transform his novel into a work that clearly exhibits romanticism and a realistic view, despite Bart’s arguments. Through the characters actions, especially of Emma Bovary’s, and of imagery the novel shows how Flaubert is a romantic realist. Flaubert gives Emma, his central character, an essence of helpless romanticism so that it would express the truth throughout the novel. It is Emma’s early education, described for an entire chapter by Flaubert, that awakens in her a struggle against what she perceives as confinement. Her education at the convent is the most significant development in the novel between confinement and escape. Vince Brombert explains “that the con ...

... knowledge through the narrator’s dream of receiving a letter of deep and truthful meaning: “And I did and in it I found an engraved document containing a short message in letters of gold…” “To Whom It May Concern,” I intoned. “Keep This Nigger-Boy Running” (33). Even though it is just a dream, the white people actually do want to keep the narrator and his race running after false dreams. Another example of the bad associated with papers is when the brotherhood gives the narrator an envelope containing a new name on a piece of paper, replacing his identity: This is your new identity, Brother Jack said. Open it. Inside I found a name written on a slip ...

... correct choice. The first character I will look at is Sergeant Francis Troy who came upon Bathsheba one night as she walked along the fir plantation, checking that all was well in the fields and paddocks, although Gabriel Oak had check before her. When Troy had become entangled with her, one of his first questions was ‘Are you a woman?’, to which Bathsheba replied, ‘Yes.’ His immediate reaction was to compliment her by calling her a lady, illustrating his natural tendency to see most young ladies he comes across as merely objects for personal conquest. Flattery is of course his chief weapon in charming and conquering the female heart. One of the main reasons that ...

... cared much for schooling. Attending Syracuse University he was best known for playing baseball. Later he became well known as a poet, journalist, and novel writer. He went to cover the Greco-Turkish as a journalist. After that he lived in England for a few years. Crane also covered the Spanish-American war as a journalist for the New York World. Crane was obsessed with violence all his life; he loved war.(DMS Stephen Crane History Page.) At the age of 29 he died on June 5, 1900, suffering from tuberculosis, in Germany. Synopsis The Red Badge Of Courage commences with a new regiment for the Union army languishing for a battle. Jim, a friend of Henry (the ma ...

... novel at face value and to "read between the lines" in order to capture the underlying themes of a novel. If one were to do this in relation to Huckleberry Finn, one would, without doubt, realize that it is not racist and is even anti-slavery. On a superficial level Huckleberry Finn might appear to be racist. The first time the reader meets Jim he is given a very negative description of Jim. The reader is told that Jim is illiterate, childlike, not very bright and extremely superstitious. However, it is important not to lose sight of who is giving this description and of whom it is being given. Although Huck is not a rac ...

... far from you: do you find some occasion to anger Cassio, either by speaking to loud, or tainting his discipline; or from what other course you please, which the time shall more favorably minister. " (Pg. 673)     Roderigo does this for Iago promises it will make him look good in front of Desdemona. Iago needs to make Cassio suffer and manipulates Roderigo to do it by playing on Roderigo’s desire for Desdemona. Iago also uses Roderigo for his money as well as helping his evil plans, " Roderigo: I am changed: I’ll go sell all my land. Exit. Iago: Thus do I ever make my fool my purse; For I mine own gain’d knowledge should profan ...

... literary circles) that Wright addressed this poem to her husband when she was pregnant with one of their children. The intimate nature of this exchange between Wright and her husband is evident in her use of personal pronouns: "…you and I have known it well"; "…your arm…"; "…my breast…". The second intended audience is every woman and every man, as an expression of something from every woman to every man. The title makes the poem universal, more than just a poem from Judith Wright to her husband. There are no names given to the woman and the man within the world of the poem. The experience of 'the Woman' becomes the experience of 'every woman'. The third ...

... folks come back it'll be all right.' But I knowed that wan't true. There ain't nothin' to look after. The folks ain't never comin' back. I'm jus' wanderin' aroun' like a damn ol' graveyard ghos" (54). Analysis/ Commentary: At the camp, Ruthie becomes engaged in an argument that leads to serious consequences. In an effort to preserve her Cracker Jacks, she threatens to call upon her brother, who has killed two men and is now in hiding. Ruthie's revelation endangers Tom and forces him to abandon both his hideout and family. Ma, whose primary goal has been to keep the family together, must bid another painful farewell. Through his speech, Muley reveals that he is ...